Sunday

It’s been a relatively quiet weekend.

I watched a couple of movies yesterday. The first was Bowfinger, is one of those “hey, Eddie Murphy isn’t actively terrible in this so maybe’s it good, oh no wait, it isn’t” movies. The movie has its moments and a game enough cast — I wouldn’t say Murphy’s good, but he’s at least there — but few real jokes or laughs for a comedy.

Then, later, I watched The Long Good Friday, a very good 1980 gangster movie starring the very recently departed Bob Hoskins. As I say, the movie’s very good, but Hoskins is terrific in it, and the movie’s worth it for how great he is in the final scene alone. In the wake of his passing, the movie’s gotten a lot more play — I’d never heard of it before — and it’s worth checking out.

No movies today, at least not yet. I’m thinking about it, since I’m off from work tomorrow, but I’ve mostly just been watching Parks and Recreation episodes.

I did write this with my writing group today, though. It’s not exactly my finest hour, but you get what you can out of the prompt and the forty minutes:

We never did learn what had killed Dr. Jacoby. Robert said it looked like poison, maybe strychnine, and he proposed an autopsy right there on the hangar floor. But it was clear we weren’t safe hanging around for that, even if we could scrounge together surgical tools, and we needed to break camp for someplace more secure before nightfall. The airfield had been a bust — we’d lost not only Jacoby, but also Claire and Frank Wilson in the first of two attacks the night before — and we had to focus on where to go next. It didn’t really matter what had done in Jacoby, poison or not; it had pretty obviously been by his own hand. We didn’t need to look much further than the bite mark on the back of that hand to figure out why.

I’d never liked Jacoby, but I wouldn’t have wished this on him, and it was obvious, to me at least, that we were poorer for his loss. There were only five of us now — Robert, Clive, me, and the twins — and none of had any kind of medical training. (That was all the more reason for us to get moving. Robert talked big about an autopsy, but who was going to perform it? Not him.) None of us had trained as scientists before the turning, and with Jacoby gone, none of us had the know-how needed to look for a cure.

All the more reason to make a run for it now, I said. If we were cornered here by the pack, we’d be lucky if any of us made it, and we’d spend the last few minutes of our lives envying Jacoby the last few minutes of his. If we were really lucky, we’d have enough bullets left to let us join him. I didn’t much feel like dying, so we needed to be long gone before moonrise.

To his credit, Robert agreed, and the twins, though never talkative, always sided with him. I thought Clive might try to be difficult, since the airfield had been his idea from the start. He’d worked there before the turning — I don’t think he was military, but he knew his way around the base — and it had been his idea to come here for supplies, maybe radio for help, find a plane.

That had all gone out the window the first night when the pack arrived. I don’t know if it was the same one that had tracked us from Phoenix, but I also don’t know if that mattered. It was all one big pack anyway, right? That’s what they’d said at the turning, before it all went to hell and dark.

Half the pack had kept us pinned inside the hangar, while what Robert said was their alpha had…

Sunday

Last night, I watched The Spectacular Now, which I rather liked. Today, I watched The Amazing Spider-Man 2, which I rather didn’t.

There’s not a lot I can say about the former, which was both a lot different and exactly what I expected. And everything I could say about the latter is filled with spoilers. (Here’s one big one, with fair warning: it’s plenty shocking the one time the movie decides to stick to major Spider-Man continuity.)

I spent the rest of the weekend reading some Kaleidotrope submissions and writing. I’m working on a short piece right now that I’m trying to tie together, and then I also wrote this during my weekly free-writing group (before the movie):

He could no longer tell the difference between the living and the dead.

Only a year ago that might have bothered him; he remembered sleepless nights, empathy, doubts; even if he no longer had direct access to those emotions, he hadn’t yet excised their memory, and he could recall them well enough to know that he was a different man. Well enough, too, to know that he should probably be disturbed by that difference. If he wanted to, the shunt in his brain could be easily removed, a simple surgical procedure, and he could go back to being the man he’d been a year ago, doubts and all. But a conscience wouldn’t bring Stacy back, and it wouldn’t change what was happening in the world below. If Magnus went back to being bothered by all of this, it probably would just get him killed too.

His real name wasn’t Magnus, of course, but he felt he’d long gone past the point of real names. Who was left to question him? Stacy would had said he sounded like a mad scientist or super-villain, like something straight out of a comic book. Oh really? he might have asked her. Then what does a mutagenic plague that turns two thirds of the world’s population into flesh-eating zombies sound like? Because that’s what they were up against. That’s what he’d released into the world. It seemed to him like they’d moved past concerns about any of this not sounding believable.

Take the space station, for instance, or the nanobots that kept it operational: that was pure comic book, but it was also the only reason why he was still alive. The plague had found its way here, escaped into the atmosphere aboard the station just like everywhere else, but…

No, he didn’t want to think about that now. There were some emotions even the shunt wasn’t capable of blocking.

The point was, it was a ridiculous situation, but it was the one he’d been forced into. If circumstances dictated that he go from mild-mannered lab tech to super-genius mad scientist in order to survive, then, by damn, he was going to play the part.

Still, he wished he could tell which of the infected he’d brought aboard were living or dead. In theory, he was running these tests to save those who hadn’t completely succumbed. But as he looked through the observation window, they all just looked like zombies to him. He wasn’t much sure he cared about finding a cure.

Would it really be so bad to let the human race go? Magnus hadn’t released the plague — that had been Albert, the dumb lab tech he’d once been — nor had he even designed it — that had been the men who’d built this space station, almost as smart as he was now. But were things really worse now? Magnus sort of liked the quiet.

But he’d run a battery of tests all the same; it was something to do. He didn’t expect to find a cure, or to begin to care, expected he’d just have to vent the whole lab to space like he did when Stacy was bit.

Sunday

I spent a good part of yesterday sitting out in the backyard reading Kaleidotrope submissions, before it rained. I’m getting closer to being caught up, but I still have somewhere shy of a hundred left to read. Most of those are from March, which doesn’t make me feel quite as bad about not getting to them yet. But I still don’t want to keep people waiting too long, in part because I’m likely to reject most of them.

(That’s just the way it goes. I’d actually be in trouble, or booked solid for the next few decades, if I loved everything I received.)

Last night, after dinner, I watched 12 Years a Slave. I think I’d had all the common worries about the film: that it would be a downer, too brutal, too much. And it is terrible brutal, and often difficult to watch, but it’s also a terribly powerful movie with some wonderful, heartbreaking (and rightly Oscar-nominated) performances. (Lupita Nyong’o is the only performance that won the Oscar, for Best Supporting Actress, and the win is a testament to how affecting she is in the role, given that she’s actually on screen for relatively little of the movie.) The movie is surprisingly beautiful, compelling not just for the violence and cruelty of slavery on display but the spirit of those who endured and survived it.

I’ve now seen six of the nine movies nominated for Best Picture last year, and this is the first time I thought the film wasn’t just really good but actually a Best Picture. (Although Gravity has some terrific technical filmmaking, and arguably the best movie-making of the bunch.) I suppose now I’m compelled to watch the other three (Philomena, Nebraska, and Her). Oh woe is me.

Today, I sent out more Kaleidotrope rejections and watched a bunch of Parks and Recreation episodes. (I’m way behind, in the third season.) I also went to my weekly writing group, and I supplied the free-writing prompt. It was born out of this Twitter exchange last night with Maurice (who’s another third of the writing group):

And this is what I wrote:

[I’ve decided to expand and revise this, so I’m removing it from here]

I like it, and I think I might be able to do something with it — other than let it continue to spiral into just more and more plot — but the ducks will probably have to go.

The best of Stan Rogers, though, that’s staying put in my playlist.

Hoppy Easter

Happy Easter!

Yesterday, I watched G.I. Joe: Retaliation for…reasons, I suppose. I watched the first movie years ago, and while it was plainly terrible, it was also surprisingly entertaining in that terribleness. I wish I could say the same for its sequel. Despite the addition of Dwayne “the Rock” Johnson to the cast, and a brief moment of fun with Walton Goggins as a prison warden — seriously, I wanted movie just of his character — the movie was more just terrible.

The Wolf of Wall Street, which I watched today, was a whole lot better. Still, however, well made and acted the movie was, and however much fun, it was also very long, and a story a little empty beyond its mad excess.

That, plus some Kaleidotrope reading, some home repairs, and an Easter buffet brunch with my parents, that was my weekend.

Saturday and Sunday

Yesterday was warm enough to sit out in the yard for a little while, reading Kaleidotrope submissions. So that’s what I did. I sometimes worry than I’m being a little too choosy, after I’ve rejected a dozen or so stories in a row, and then one comes along that I don’t want to reject and I think, “Nope. Just choosy enough.”

After dinner, I watched American Hustle, which I wish I could say I enjoyed more than I did. At this year’s Golden Globe Awards, Tina Fey joked that the movie’s original name was “Explosion at the Wig Factory,” which really isn’t far from the truth. There’s some good acting in the movie, but a lot more over-acting, and a lot of over-the-top hair and costume design, all in service of a fun but kind of thin story — a very loosely adapted version of the Abscam investigation. It’s not hard to see why the film was nominated for ten Oscars last year. But it’s also not hard to see why it didn’t win a single one.

After that, I watched Area 407, which I can’t even pretend was any good. It’s exceptionally terrible, even by the low standards of found-footage monster movies, apparently ad libbed over the course of five days, and man does that show! It so very, very bad…and for that reason, it was absolutely wonderful.

I watched it with friends over Twitter, which is something we do semi-regularly — Heather has a rundown of some of the comments we made — and it was kind of magical. Heaven knows I’ve seen my fair share of terrible movies, but every now and then one comes along that’s terrible in all the right ways. This was definitely one of those, and I had a blast live-tweeting it with everyone else.

This afternoon, I went to see Captain America: Winter Soldier with some in-person friends. I enjoyed the movie, which is fun and has some nice little moments from its leads interspersed with all the acting — I don’t Steve’s ever going to get to ask out Kristen from Statistics — but there’s not a whole lot to say about it, really. I mean it’s no Area 407.

Anyway, before the movie we had our weekly writing group, and this is what I did:

“You gotta write it down,” Trevor Kettleson said. “His speech recognition software isn’t working at the moment.”

“This is the robot?” Dean asked. “Your investigator?”

“He doesn’t like that word,” Kettleson said. “Either one. It would be more accurate to call him a…’cyborg consultant.’”

“From outer space?”

Kettleson sighed, sat forward in his chair. “While technically accurate, detective, pre-judgmental language like that will only make it more difficult for Roger — “

“The robot. Roger the robot.”

“ — our consulting cyborg to adequately assist you on this case. It’s true that Roger’s cybernetic components were outfitted on a space station orbiting an abandoned planetoid, but the fact that this all happens three hundred years in the future — “

“I’m not here to prosecute your cyborg, Mr. Kettleson,” Dean said, all smiles, “just trying to get a lay of the land. Everyone who came through the time vortex was granted immunity, that’s the law. How I feel about it doesn’t matter.”

“It might matter to Roger,” Kettleson said.

“I’ll try not to step on anyone’s toes,” Dean said. “Especially if they’re made out of titanium.”

“Our firm has the utmost respect for Roger’s investigative skills. I urge you to turn to him as an asset.”

“He just doesn’t talk.”

“Oh, he talks. He just can’t process speech presently. We’re doing everything in our power to remedy that, but…well, we are talking about technology three centuries more advanced than our own.”

“And was Paige Caldwell working on this remedy?”

“Was — ?”

“Dr. Caldwell. The victim. Was she spending a lot of time working directly with Roger?”

“Well…I — it was one of her projects, yes. It’s been a team effort. Certainly you don’t think that’s what got her killed, or that Roger — ?”

“You said yourself she didn’t have any enemies.”

“That I knew of, yes. But, detective, that’s a very wide leap to naming Roger as a suspect.”

“I’m just thinking out loud, Mr. Kettleson” Dean said. He stood up and moved towards the door. “If I start making allegations, believe me, I’ll put them in writing. I wouldn’t want Roger to miss them.”

Three hours later, with the cyborg’s pneumatic-powered hands at his throat, Dean Hendricks thought he might have made a mistake.

“Make it look good,” he croaked. “We need her to think you’re really trying to kill me.”

Silently he cursed himself, remembering Roger’s speech recognition problem. He just hoped the cyborg remembered the plan. Those steel-tipped fingers were pretty tight around his windpipe. But they weren’t going to flush Caldwell out of hiding if they didn’t put on a good show.

And that, pretty much, was my weekend.