A week and a half ago, I tested positive for Covid. While that only slowed down my movie-watching for the first day or two, as I fought off a fever, I felt too tired to write about the half dozen movies I’d seen that week last Sunday. Of course, that means that I now have to write about those six movies and the other full dozen I watched this past week. But c’est la vie.
Anyway, these are the 20 movies I watched over the past two weeks:
- The Tale of Zatoichi is a fun and exciting samurai movie. Will I watch the next twenty-five movies in the series? I don’t know, but I’ll certainly watch the next one.
- A Master Builder often acts like a compelling movie without ever actually being one. For all the heightened emotion on screen, the movie feels strangely airless, and there’s nothing of Jonathan Demme’s personality as a director on screen.
- Buffalo Bill and the Indians, or Sitting Bull’s History Lesson isn’t top-tier Rober Altman, but it’s also nowhere near the bottom, and Paul Newman’s good in the title role.
- Jerry and Marge Go Large doesn’t re-invent the wheel, but it is very likable, thanks to Annette Bening and Bryan Cranston.
- A Most Wanted Man is a bit of a slow burn, but an effective spy thriller.
- Diary of a Madman is a little forgettable, but Vincent Price is characteristically fun.
- This feels like it’s technically a re-watch, since I’m not sure how much Superman II: The Richard Donner Cut really changes the 1980 theatrical cut—of which I was already a fan. There are some interesting moments that didn’t make Richard Lester’s version, but there are also some changes that don’t work—or at least don’t work in this pieced-together version.
- Please Don’t Eat the Daisies feels a little scattershot and dated, and while it’s often amusing, it’s never memorably funny.
- Anna Gunn is good in The Apology, and the movie almost works as a tight little revenge thriller. But it’s not quite satisfying, and holds no surprises beyond the initial reveal, which you’re already primed to expect.
- The Shallows gets just a little silly, but never enough to distract from its tense little survival story.
- I don’t exactly like the Chucky movies, but I can’t deny that they took an unexpectedly weird turn around the fourth one. That weirdness continues in Seed of Chucky, which is tiresome, but at least tiresome in some unexpected, moderately clever ways.
- A Place in the Sun gets a little too melodramatic for its own good, but it has really good performances, especially by Montgomery Clift and Shelley Winters.
- Christina Ricci is good in Monstrous. It’s just a shame that not much else is. The movie takes too long building to what’s ultimately an unsatisfying reveal.
- Babylon 5: The Road Home isn’t much more than an amusingly diverting “what if?” for long-time fans of the series, but it is amusingly diverting. I’m not sure the movie ever truly justifies its existence—and the need to rely on (good but never amazing) sound-alike voice actors for so many sadly departed cast members means it’s never even quite as fan-servicey as you might like. But, still, Bruce Boxleitner is good in it, and it’s a fun time.
- Ida Lupino is terrific in the wonderfully tense and moody Ladies in Retirement.
- Encounter of the Spooky Kind is weird and all sorts of goofy, with some really fun fight choreography.
- Dragonwyk could maybe stand to be a little more gothic and atmospheric, but the performances, particularly Price’s, are pretty good.
- I’m not going to lie, Godzilla Raids Again is more than a little boring.
- There’s a whole lot to recommend Shanghai Express, from the surprisingly progressive-for-the-time racial and gender politics, to the the stunning black-and-white cinematography, to the sheer presence of Marlene Dietrich and Anna May Wong.
- Past Lives is such a lovely and tender movie, built on subtle moments and desires, and Greta Lee is just phenomenal in it.
I somehow also re-watched a whole bunch of movies, some of which I’ve seen very often, or even very recently, and some I haven’t seen in decades:
I enjoyed them all.
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