Second Souffle from Clément Morin on Vimeo.
Via SF Signal.
"Puppet wrangler? There weren't any puppets in this movie!" – Crow T. Robot
Second Souffle from Clément Morin on Vimeo.
Via SF Signal.
But all that gets lost in the sheer awesomeness of the Jedi. The signal-to-noise ratio is too high–Yoda is a cool Wise Old Master with all the good bits in Episode Five, Qui-Gon Jinn is played by Liam Neeson and Mace Windu is Samuel Freaking Jackson, and the lightsaber is the coolest weapon in the history of film. Everyone takes Yoda’s words at face value–even the authorized sequels, which show Luke trying to re-establish the Jedi in the image of the old order. Everyone assumes that Luke narrowly won his struggle with the Dark Side at the end, but in fact, he did exactly what people do every day. He got upset, he channeled his anger constructively, and then he calmed down. Only the Manichean nutbags who run the Jedi and the Sith think that this is some kind of near-impossible achievement. The Jedi aren’t the heroes of the film, Luke is, for realizing that there’s something more than the false duality that trapped and ultimately destroyed his father.
That’s the message of the Star Wars films, and it’s a shame that Lucas made it so hard for people to notice.
Electronically produced drafts, correspondence and editorial comments, sweated over by contemporary poets, novelists and nonfiction authors, are ultimately just a series of digits — 0’s and 1’s — written on floppy disks, CDs and hard drives, all of which degrade much faster than old-fashioned acid-free paper. Even if those storage media do survive, the relentless march of technology can mean that the older equipment and software that can make sense of all those 0’s and 1’s simply don’t exist anymore.
Imagine having a record but no record player.
Does this mean the people in my office who print out a copy of everything are on to something?
There’s also the fact that, on a purely aesthetic level, digital archives tend to be pretty boring things. A novelist’s handwritten notes, for instance, are a lot more interesting to future readers than his half-finished draft in Microsoft Word. I think Emory University’s archive of Salman Rushdie’s work — this “access through emulation to a born-digital archive” — is a neat way to address this fact. [via]
Via Remi.
…if someone were to introduce legislation requiring home entertainment companies to have a “just play the damn movie†button at the start of every DVD, Blu-Ray or any other future movie-playing technology, I would call my Senators and representative every fifteen minutes until they voted “yes†on that bill.