So I sat down and I really thought about it, and realized that there is a philosophy behind it, one that I’ve talked about before, and I won’t bore you with. It’s the idea of surprise being the point of storytelling, and the most honest emotion, because it’s truly humbling. Surprise means you have to reassess what you thought. It means that you were wrong about the way things were structured, and that’s exciting, and really important. It also makes for a good story. I mean, The Sixth Sense is fine the second time around, but honestly, the first time around, it’s dazzling. When it matters, when it makes a difference, letting a story happen to you, letting a narrative take place instead of just waiting for placeholders is a better experience, and it feeds you. We need narrative, it feeds us in a particular way, and deconstructing it completely before you’ve actually experienced it, I think it leaves us unfed.
He also mentions that “[s]ome people have told me I should do Buffy for the stage, which I get, and it could obviously be very fun…” Which is either the goofiest or worst idea I’ve ever heard, I’m not sure which.