Abigail Nussbaum seems to be pretty consistently disappointed in both Lost and Battlestar Galactica this season. I’m not sure I agree with her completely on either front, but she does raise some very important concerns about the feminism — or lack thereof — in the latter program:

I wouldn’t like to be seen as saying that I want Starbuck to be perfect and well-adjusted, but the shape of her disfunction infuriates me. When I watch her, I find myself constantly recalling that genuine feminist SF icon, Farscape‘s Officer Aeryn Sun, whose character starts out, like Starbuck, as a capable soldier who is incapable of recognizing her feelings and who treats sex as recreation. Aeryn grows and changes over Farscape’s run, and although by the show’s end she has traded in her role as an emotionless soldier for that of a wife and mother, it is an empowering journey. Aeryn is flawed and, as a person, incomplete, but at no point did Farscape‘s writers suggest that, in order to experience the full range of human emotions, Aeryn needed to be cured of her strength or her personality. “You can be more”, she is told by love interest John Crichton in their first meeting, and more is indeed what Aeryn becomes. She casts away the parts of her training that, as she comes to realize, don’t mean a damn, and opens herself to new experiences. At the same time, however, Aeryn holds on of the skills that have kept her alive and made her strong, and uses them to safeguard her new, more rounded existence.

Instead of suggesting that Aeryn’s competence and strength are an armor concealing her inadequacies, as Galactica‘s writers seem to be doing with Starbuck, the Farscape writers recognized that those strengths were an integral part of Aeryn’s personality, that they had to be added to, not stripped away. Like all complete human beings, Aeryn had to learn to be vulnerable (although it’s worth noting that throughout their relationship, Crichton was always ‘the girl’, emotionally speaking), but the writers never tried to make her pitiable. Galactica‘s writers use pity as a shortcut to making us love Starbuck–poor abused, lost child–but it is that pity, and the pity that Starbuck feels for herself, that is the most off-putting aspect of the character. It tells us that Starbuck is shamming strength, and that she may never make the journey into adulthood.

The rest of the article contains some spoilers, if you haven’t seen the Galactica‘s second season.