“Future events such as these will affect you in the future.”

Last night, three fellow cappers and I went to see Rifftrax Live in Union Square, allegedly the first theater in the nation that sold out for their simulcast riffing of Plan 9 from Outer Space. I’d never seen the movie in its entirety before — just bits and pieces, and then a big block of it earlier this week when I discovered Netflix had it online — so it was a blast seeing it on a big screen in a crowded theater. It’s such an endearingly awful movie, obviously made with a huge amount of love and excitement by Ed Wood, if not even the tiniest shred of talent or ability. For a movie that is so terrible — “the Citizen Kane of bad movies” — it really doesn’t drag at all, and I think it could be genuinely entertaining even without three really funny guys making fun of it on the side.

But Mike Nelson, Kevin Murphy, and Bill Corbett did a great job, first with a really terrific short — “Sorry, Fort Worth!” — and then the feature, really bringing their A material, a script you can tell they’ve been honing for awhile. It was also great to see and hear Jonathan Coulton do a couple of songs (and help out with another), and you definitely got the sense that some people were going to go home after the show and look him and his music up.

Speaking of going home, I didn’t make it there until sometime after midnight, just missing the first subway uptown from Union Square — no Metro card, and long lines at malfunctioning machines — and then having to wait around Penn Station for half an hour until my train showed up. It gave me time to chat with some of the station’s late-night drunks and transients, particularly the one gentleman who, instead of just asking me for some money, wanted to give me a story about how he’d just gotten out of prison for…well, something cocaine-related, though it wasn’t entirely clear what. I was happy to give him a dollar, especially if it meant he’d wander off and bother someone else. He had the unmistakable scent of alcohol on him, plus the look of a man whose good humor and gregariousness could turn to violence, so I just wanted to escape with my book to another (more crowded) section of the station. He, of course, wanted to fist-bump me in thanks for the dollar and to ask me about the book. When I told him it was a book about gardening, I don’t think he approved. But at least that seemed to end the conversation, and he walked off to the Amtrak station upstairs.

Those few moments of weirdness — plus the disgusting heat in Manhattan, especially in the subway — notwithstanding, I had a great evening, and I’m definitely glad I went.

Eat up!

Scott Tobias nails exactly the thing I loved most about Top Chef Masters, and certainly about the season finale:

But with all due respect to those who shrugged off Top Chef Masters as a dull facsimile of the real thing, I think tonight’s hour was a great argument in the show’s favor. It was, simply, a pure example of the sensual wonders of food—the rich and evocative flavors, the feelings and memories a wonderful meal can coax out of those who cook it and those who eat it, and the sheer aesthetic artistry that the best of the best are capable of putting on display. For me, watching the finale of Top Chef Masters was like an extended version of the “big night” sequence in Big Night. At one point in the judging, Jay Rayner suggests they just stop using their words and criticize using guttural “mmmmm” sounds instead. It was that good.

If I’m ever back in Chicago, I think I may just have to make a point of eating at Rick Bayless‘ Topolobampo.

Friday various

  • I think it’s great that Monty Python is being honored for outstanding contribution to film and television, and I hope some or all of the show is recorded and made available. But I can still remember when Python reunions were rare events, and a little part of me kind of misses that. That said, when I read the award ceremony would be held in New York, I absolutely did wonder about the possibility of getting tickets. (Unlikely, I know, and probably just as well. That’s the evening of my sister’s wedding rehearsal — which, as a groomsman and her brother, I should probably attend.)
  • Speaking of comedy reunions, the Kids in the Hall are get back together again…for a murder mystery miniseries? It sounds interesting if nothing else.
  • Remaking Yellow Submarine? In “that creepy 3-D motion-capture technology” used in The Polar Express and Beowulf? Okay, Robert Zemeckis needs to be stopped.
  • So you say you’ve never read Bradley Denton’s award-winning SF novel Buddy Holly is Alive and Well on Ganymede, and you’d like to do so before the movie version comes out? Well, Mr. or Ms. Hypothetical-Type-Person, you’re in luck: Denton is making a free, Creative-Commons-licensed copy available at his website. (And at ManyBooks.net.) It’s been years since I read the book, but I remember being pleasantly surprised at the time. I think it’s time I re-read it.
  • And finally, ladies and gentlemen, the Batman fish. Whatever happened to the gilled crusader? [via]