Happy Cuckoo Day

According to my desk calendar, today was traditionally Cuckoo Day in Britain:

In Marsden, West Yorkshire, residents still honor the “Welsh ambassador,” as the cuckoo was known, since its migratory route begins in Wales.

No word on what the celebrations entail. Me, I spent the day mostly just hanging around the house.

I did some much needed cleaning and listened to several of John Cleese’s commentaries on the Fawlty Towers DVDs.

I mailed a few more issues of Kaleidotrope, and learned that a story from issue #6 had been nominated for an award.

I quite liked this week’s episode of Doctor Who, even if it was mostly just a mash-up of two of Steven Moffat’s earlier episodes (“Blink” and “Silence in the Library”/”Forest of the Dead”) with some clever bits added on here and there. I can hardly blame him for revisiting the Weeping Angels, which remain genuinely scary, and I’m quite looking forward to the continuation next week.

And then this evening, I watched The Limey, which I think I enjoyed more as a series of expertly composed shots than as an engaging story.

And that was my Cuckoo Day.

Monday various

  • I’m not afraid of clowns — sometimes I think I’m maybe in the minority on this — but how can an evil clown who stalks children possibly be a good idea for a birthday present? [via]
  • Doctor Who regeneration was ‘modelled on LSD trips’ [via]
  • Meanwhile, I think I like Stephen Moffat’s definition of the show:

    It’s about a man who can travel in time. It’s a television show set at every point in history at every place in the universe. It’s not bound by logic or genre.

    How could that not be fun?

  • Don’t you forget about me. A.O. Scott on The Breakfast Club.
  • And finally, David Simon on Treme [via]:

    Well, Pablo Picasso famously said that art is the lie that shows us the truth. Such might be the case of a celebrated artist claiming more for himself and his work than he ought, or perhaps, this Picasso fella was on to something.

    By referencing what is real, or historical, a fictional narrative can speak in a powerful, full-throated way to the problems and issues of our time. And a wholly imagined tale, set amid the intricate and accurate details of a real place and time, can resonate with readers in profound ways. In short, drama is its own argument.

Three-day weekend? Don’t mind if I do.

I’m a little embarrassed to admit this, but I fell asleep last night well before ten o’clock. I was watching another episode of Fringe — which doesn’t speak well for the show’s ability to hold my interest, though I do seem to keep watching — and the next thing I knew, it was past two in the morning. I thought briefly about posting an update here anyway, but I opted instead for brushing my teeth, putting on pajamas, and going back to bed.

All day long yesterday, I felt like I was on a relaxed Friday schedule while everybody around me was still in middle-of-the-week, knee-deep-in-Thursday mode. That might have something to do with its still being Thursday, but I knew I would be taking today off as the start of a three-day weekend, so I wasn’t about to let a little thing like reality stand in my way.

Though stand in my way it did, and for some very long hours. It was capped by all sorts of confusion and delays on the railroad coming home. I got to Penn Station, where I was directed to a different track than usual, and then I panicked slightly when the doors closed several minutes before they were supposed to and I thought, “uh oh, maybe I’m on the wrong train.” It didn’t help that you couldn’t understand the conductor’s announcements at all over the train’s PA system, but by time we reached Queens, it was all but certain the train wasn’t going where I wanted to go — either because we’d been sent to the wrong track originally, or because they’d decided to change the plan, unannounced, en route. Whatever the problem — and by then they were calling it “signal failure” — I got off in Jamaica, where after a lot more confusion I managed to get on a train that was stopping at my station. In the end, I wasn’t home a lot later than usual, but I was especially glad I wouldn’t have to get on the train again the next day.

And I didn’t. I spent today not doing a whole lot, though I did mail out most of the current issue of Kaleidotrope — international contributors and subscribers tomorrow — and buy a few new pairs of shoes. My current dress shoes, and even my sneakers, are suddenly falling apart, so it was time to replace them. They gave me a coupon for $10 off (a $50 purchase), which would be great if it wasn’t valid only between May 2 and 22. That’s a pretty narrow window, and there’s almost no chance I’m going to need another pair of shoes any time within it. Or at least I hope not.

Beyond that, I watched a little of The Mighty Boosh (season 3) and finished re-watching season 1 of Slings & Arrows. I’d recommend both shows, though Boosh is definitely the weirder of the two. (And a ghost is a main character in Slings.)

According to my Forgotten English calendar, today is the feast day of St. Benedict Labre, the patron saint of vagabonds. Which isn’t exactly relevant, but a fun historical fact nonetheless.

Thursday various

Tuesday various

  • If you’ve ever wanted to search the entire 137-year archive of Popular Science, well, now you can. [via]
  • I like these re-imagined Stephen King book covers. [via]
  • And this: The League of Extraordinary Gentlemen 1988. [via]
  • Zombie apocalypse survival flowchart [via]
  • And finally, Todd VanDerWerff on why it doesn’t really matter if all the mysteries on Lost don’t add up. Contains spoilers up to last week’s episode:

    I certainly don’t want to tell any of you who are watching this final season and demanding more answers that you’re wrong to watch the show that way. Everyone watches TV for their own reasons. All I can do is tell you why I watch it, and I watch it because I want to see worlds I believe in, no matter how ridiculous, characters I care about, no matter how they end up mired in metaphysical conflicts from beyond our reality. I want to see a man realize that the only thing worth fighting for is the love of a woman he’s never met. I want to see another man who keeps chasing death because he thinks it’s the only way to find purpose. I want to see a doctor slowly realizing that there’s more to the strange events swirling around him in two worlds, a sad musician pull scientific genius out of thin air. The people on “Lost” aren’t real, obviously, but I want to believe they could be, that they’re living in a universe just around the corner. I want to see that smooth cut from Desmond grasping Penny’s hand to his eyes opening back on the Island, the look of joy on his face when it happens, a realization that some things matter more than others. Does it matter to me if the puzzle has its holes? No. Because what’s there is something I desperately want to see.