Friday the 13th

I spent the whole day — well, 10:30 to 4 — in a meeting with our sales reps talking about some of the new and important books for the season. There was a free lunch, but I’m a little wiped. I’ve spent the evening mostly watching the end of Aliens and doing a crossword puzzle. Dinner was from the local Azerbaijan grill restaurant, and the crossword was from the New York Times.

It’s a long weekend here, which is nice, although it’s turned quite cold again, which is less pleasant. It snowed for about five minutes this morning — blink and you might have missed it — but right now it’s just really windy.

Did I mention I was in a meeting all day long?

Tinkering, tailoring, etc.

A quiet Sunday.

First there was the crossword puzzle.

Then there was my regular writing group:

“We don’t talk about the boysenberry incident,” said Rogers. “I won’t lie, it was a rough time for all of us here at the company. But we’ve retired the flavor, and we’ve settled with the families of the victims out of court. We’re moving on.”

He eyed the young reporter from the Frozen Dairy Times. Karen, or — no, wait, Careen, she had politely corrected him — and regretted, not for the first time, having agreed to this tour of the facility and interview. Corporate had insisted — all part of their kinder, gentler initiative, a “so sorry we accidentally poisoned some of your ice cream last year” — but now was a terrible time for it. There was the new hire in flavor development to contend with, for one, who continued to insist his lab was understocked and a disgrace, and someone in order processing had accidentally swapped two-percent for skim milk again, all eighty-eight gallons of it. But most of all, there was that cryptic memo from the head of R&D Rogers had received in his in-box just that morning: “New technology. Tighten cybersecurity. Tell no one.” The first time he’d seen a memo like that, it had been before they’d released their best-selling creme de menthe and butterscotch swirl. They’d cornered the market, skyrocketed the company to the big league and, for the first time, the national supermarkets. But the last time he’d seen this kind of memo had been right before the boysenberry incident. This could be accolades or tainted berries, and either way Rogers didn’t need a nosy reporter snooping around while he tried to figure it out.

“So if you don’t mind me asking,” said Careen, flipping the page of her little notebook and clicking her pen, “what are you working on now? I’m sure our loyal readers would love to hear how Super Tastie Ice Cream plans to bounce back from last year’s troubles.”

“Oh, you know,” said Rogers. “Several irons, lots of fires. A bit of this, a scoop of that. Nothing too exciting, I’m afraid.”

“That’s not what I heard,” said Careen. “Word on the street is your R&D department has been stockpiling loganberries and home-brewing its own marshmallow sauce.”

“No comment,” said Rogers. Damn, where was this woman getting her information? It was going to be a long, long day if he couldn’t get rid of her.

Yeah, I don’t know either.

Then there was the new Tinker Tailor Soldier Spy. It was…I guess the word I’m looking for is “okay.” It’s very well cast, often quite well acted, and looks every bit like 1970s England. And yet…dear lord is it ever slow. Like the book, which I read originally in anticipation of the movie over the summer, a lot the appeal is that slowness, the tedium, the very humdrum reality and paper-pushing of being a spy. John le Carré’s novel may be one of the few I’ve read where boredom is actually kind of a selling point. Yet that slowness isn’t necessarily very cinematic. There’s a lot to really like about the film, particularly in the performances and subtle moments, but at times I felt like there were just too many subtle moments — too many scenes of quiet men having hushed conversations or just exchanging knowing looks in smoky rooms. If I hadn’t read the book, and so recently, I might very well have been lost.

It’s far from a terrible movie — it looks too good and has too many good performances for that — but I’m not entirely convinced I enjoyed it.

This evening, though, I watched about half of Aliens, which I definitely enjoyed. I haven’t seen it in years, but for Christmas I got the Anthology, Blu-ray discs of all four films. (It looks incredible in that format, by the way.) I’d still be watching it now — and long into the night — if I didn’t accept the fact that I have to go back to work tomorrow.

Hail Soyka!

A quiet day, spent mostly reading Kaleidotrope submissions. (The zine’s open again to submissions til the end of March.) On the back deck of all places, since it was warm enough to hang out there in short sleeves for most of the afternoon. Seriously. What’s with this weather?

I tried to do a little writing, but it didn’t really pan out. I did this weird experiment this past week, where on Monday I’d write for ten minutes, then on Tuesday for twenty, and so on. I don’t know. My brain suggests weird things sometimes. I had some pretty mixed results with it, to be honest. I think the important thing is to write almost every day, so I’m going to do that next week, in the evenings, instead of incrementally increasing the amount of time. At least half an hour each day, and I’ll see where that takes me. I really do want to get back into writing more consistently. I don’t feel like I’ve really done that since I went to Banff in September. And here it is, January.

Anyway.

This evening, I watched the…smartly funny? cutely quirky? movie Drones. I enjoyed it.

And that was Saturday.

Books, movies, and music: a look back

If you include books I read for work, some of which I truthfully read in manuscript form last year, and if you include a healthy number of graphic novels, I read just shy of 100 books this past year.

Which ones stand out now more than the others? Kevin Brockmeier’s The Illumination. Adam Gopnik’s Paris to the Moon. Art Spiegelman’s Maus. Jeff Smith’s Bone series. Jedediah’s The Manual of Detection. Tina Fey’s Bossypants. Jennifer Egan’s A Visit from the Goon Squad. Anne Lamott’s Bird by Bird. Paul Harding’s Tinkers. And, of course, Lev Grossman’s The Magicians, for all the wrong reasons. But I’ve stopped being angry about that, honest.

I’m more than a little disappointed that I didn’t read much of anything these past couple of weeks, which all too often seems to be the pattern when I’m on vacation, but I’m going to try to up that number next year.

Then again, it’s not all about quantity; inspired, in part, by this Studio 360 segment, I’ve decided to re-read a certain number of books in 2012. I’m thinking maybe five or six, which seemed like a more reasonable number than my original plan of twelve, one for every month. I’ve always been vaguely jealous of people who, every year or so, curl up with an old favorite book once again, and I already have some titles in mind for doing just that in 2012.

I saw 59 movies in 2011. I’ll probably see at least one or two more before the year, and my vacation, is up. The best of them? Touch of Evil. True Grit. The Social Network. Green for Danger. The Fighter. The Third Man. All About Eve. Though, really, only a few movies I saw this year were truly awful. (I’m looking at you, Clash of the Titans.)

Musically, it was a really good year, and like always I had a tough time putting together my “best of the year” mix. But put it together I finally did — a couple of weeks ago, actually, so I could mail some copies out for the holidays — and here it is:

  1. “Canaan” by Black Dub
  2. “Truth” by Alex Ebert
  3. “Rox in the Box” by the Decemberists
  4. “Shell Games” by Bright Eyes
  5. “Dreams” by Brandi Carlile
  6. “Paris (Ooh La La)” by Grace Potter & the Nocturnals
  7. “Police on My Back” by the Clash
  8. “Optimist” by Zoe Keating
  9. “the devil is in the beats” by the Chemical Brothers
  10. “Helplessness Blues” by Fleet Foxes
  11. “The Tiger Inside Will Eat the Child” by Fatty Gets a Stylist
  12. “Party in the CIA” by Weird Al Yankovic
  13. “Civilian” by Wye Oak
  14. “Gimme Sympathy” by Metric
  15. “Paper Forest (in the Afterglow of Rapture)” by Emmy the Great
  16. “Job’s Coffin” by Tori Amos
  17. “Charming Disease” by Gabriel Kahane
  18. “So Far From the Clyde” by Mark Knopfler
  19. “Somebody That I Used to Know” by Gotye (feat. Kimbra)
  20. “Mad Mission” by Patty Griffin
  21. “Tragic Turn of Events/Move Pen Move” by Dan Mangan & Shane Koyczan
  22. “The Gulf of Araby” by Natalie Merchant
  23. “Redemption Song” by Johnny Cash & Joe Strummer
  24. “Gangsta” by Tune-Yards

I’m not entirely pleased with some of it, particularly in the second half. (It’s more or less chronological, and I’ve had less time to live with some of those later songs.) I also can’t believe I left off Adele’s “Rolling in the Deep”, which really was one of my favorites from the beginning of the year, despite how inescapable the song has become in the months since. I try not to fault an artist her success, and I’m always weirdly amused on those rare occasions when my tastes match up with top 40 radio.

For all I know, this could be Thursday

The cold and wind continued today. At one point this evening, I even wore gloves.

I spent the early part of the day running a few errands, getting a haircut and my monthly train ticket for January. Which means, I guess, that I’ve resigned myself to the idea that my vacation is actually ending and I will have to go back to work. We don’t get off on Monday for the New Year, unfortunately, but after thirteen days (and counting) off, I’m not really complaining.

The rest of the day was spent working again on the Kaleidotrope website — nearly finished, I think, and almost ready for unveiling — and watching a couple of movies, Hello Dolly and Enter the Dragon. They make for an odd double feature, admittedly, but both were quite entertaining.

And that was…whatever this day was. They tell me it was Thursday, but I honestly have my doubts.