Sunday

The weekend went by pretty quick, but it was pretty decent, the rain notwithstanding.

Last night, for reasons that seemed perfectly sensible at the time, I watched the first Tomb Raider movie for the first time. (It was on Netflix.) The movie was…I hesitate to say bad, because there were things to enjoy about it. I like Angelina Jolie, and she at least seems to be having fun throughout most of it. And I’ve also grown to like Iain Glen’s work on Game of Thrones (which I’m close-ish to being caught up on). But the film is maybe one of the silliest things I’ve ever seen. I thought I knew from silly movies, but this is something else. Let’s just say that Daniel Craig’s American accent is one of the least ridiculous things about the movie and leave it at that.

After that, I watched the…I guess we’ll call it “season finale” of Doctor Who. I liked a lot of it in the moment, not least of all because I think it explained a lot about what I guess we’ll also call “the Clara era.” But out of the moment, actually taking a look at what I’d just watched…well, I think Alasdair Wilkins of the AV Club gets at a lot of what I think does and doesn’t work, about the episode, the season, Steven Moffat’s writing in general. I’m a lot more forgiving of the episode that Wilkins is, because I did genuinely like it, and it played to classic Who in some fun ways, though I do agree with him on its weaknesses and missed opportunities. (Seriously, casting Paul McGann in a cameo would have been inspired, if only because it would have meant a weird Withnail & I reunion on screen.)

So while I liked the episode, more or less, I kind of hope that next season, Moffat goes smaller.

Oh, and in between those two, I watched Hannibal. So it’s altogether possible my brain was in a really weird place by the end of the evening’s entertainment.

Today, I went to see Star Trek: Into Darkness. (Maybe you’ve heard of it?) I think the movie is a lot of things, like shiny and fast-paced and entertaining. But like its predecessor, there are a lot of things that it’s probably not, like smart and consistent and, ultimately, Star Trek.

Wading into spoiler territory here, I think the movie does some interesting things in the way that it quotes from the original series, Wrath of Khan in particular, but in the end that’s all those feel like: quotes. As I watched a pivotal, climactic scene, I kept thinking, “well, yeah, but Wrath of Khan did this first, and better. There’s no great accomplishment in proving that you’ve seen that movie, too.” The movie’s fun, I won’t deny that. It’s well acted, looks great, and Benedict Cumberbatch owns basically every scene he’s in just through voice and glower alone.

But there are things about it… For one, Felicia Day’s not wrong in asking “Where are the women?” But even beyond that, looking deeper into the movie, the philosophy of Star Trek — those tenets and deeper questions that made it something special, if sometimes a little hokey — that really does seem to be missing. I realize, as I did after the first movie, that while this is the future of the franchise, it doesn’t really feel like the future of Star Trek. There are more interesting places for it to go, I think, than a shiny, lens-flare-filled re-imagining of its past.

Oh, and before the movie, I wrote this with my writing group:

[deleted]

So it was a pretty decent weekend.

Sunday

I wrote this today:

“Are you going to finish that?” she says. His coffee has grown cold while she’s kept him waiting, and for that she apologizes, but they really do need to be going. She takes the cup and places it next to her own untouched coffee on the desk. She’s spoken with his direct superior on the phone and confirmed his credentials — she’s sure he can understand her precaution — but now they only have a limited window in which to talk with the prisoner.

“I’m not completely sure what you hope to accomplish here,” she says, staring at him. Young, eager to please, no doubt exceptionally bright, but also obviously naive. They always are, the ones they dispatch here to investigate these things. She has seen his sort all too often. She doesn’t know exactly what his bosses at the Bureau have told him, but it will almost certainly not have been enough.

“You can’t tell who he is just by looking at him,” she says. “You could stand right next to him, have a long conversation. You could invite him into your home, and you still wouldn’t be able to tell. And I still don’t know if that’s because he’s so good at hiding it or because we’re simply so eager not to look.”

”I’ve seen his kind before,” he tells her. He is impatient to begin what she thinks he will foolishly call in his notes after this is done an interrogation.

“No,” she says. “Not like this. You’ve seen remnants, the broken armies of the Shard. Those were echoes, whispers in a distant room, compared to this. This is darkness. This is evil.”

“I didn’t take you for the superstitious sort, Doctor,” he says.

“I just want you to understand,” she says, “that the man in there isn’t a man. Whatever he may tell you, whatever lies he may spout, you need to understand that much. But he also isn’t like the animals that you’ve rounded up and killed.”

“They’re extra-terrestrials, Doctor. Not demons or ghosts…or whatever it is the fanatics are believing these days. The Shard came to Earth to conquer it. And they failed. If this man is what you say he is — if he’s committed the crimes you say he has — then he’s just another one of their fallen army that we need to quarrantine and eliminate. There’s nothing special or mysterious about that.”

“He isn’t one of the Shard,” the doctor says. “This is what I have been trying to tell you. The thing in there is much, much more dangerous. He’s one of their gods.”

There’s definitely a little bit of the influence of Hannibal running around in there, the sfnal elements notwithstanding. I watched this week’s episode this morning, after the Sunday crossword puzzle kicked my brain’s ass, and it really disturbed me. I say that as a good thing, as the show has thoroughly surprised me with just how good it is, but these folks are not kidding with their “viewer discretion advised” warnings.

The silliness of Iron Man 3 helped, I think. It’s pretty slow to start, and probably more silly than intelligent, but the second half (or last third) at least is genuinely entertaining.

And that was Sunday. I haven’t looked at my work e-mail once since Friday.

Sunday

Last night, I made the mistake of watching The Chronicles of Riddick, which takes the perfectly fine Aliens knock-off Pitch Black and decides its sequel should be a ponderous bore of CGI and bad set design.

I posted some about it here, on Twitter, and I posted what I think is the film’s one genuinely good scene here on my Tumblr (my other blog). Actually, that scene comes in a stretch of the film that looks like it could have been decent, and one that at least feels like it’s in any way connected to Pitch Black. But overall, the movie’s pretty lousy. I don’t think Vin Diesel is necessarily to blame for this — which is why, lord help me, I’m still holding out some small hope for the upcoming Riddick — but it’s a very bad movie. People who try to tell you it’s underrated, and there are a few, are quite wrong.

This week’s Doctor Who wasn’t terrible, though. It was surprisingly not brilliant, either, given the meaty “journey to the heart of the TARDIS” plotline, but it was decent enough. This season — or this second half of the seventh season; and therein may be part of the problem — has been kind of hit or miss, I think. I genuinely like Jenna-Louise Coleman, so I don’t think it’s quite her fault. But I feel like the show lost something, maybe just a bit of its momentum, with the loss of Amy and Rory, and it hasn’t quite regained whatever it is, whatever it needs, to regain its footing. (Had Amy and Rory’s departure not felt a little rushed, or come at the end of the season instead of the middle, I might not feel quite the same.) Still, a decent enough episode.

And then today I wrote this:

“You think darkness is your ally,” the zombie said with a shiver.

“The building is on fire,” the professor said, rubbing her forehead.

“Would you two shut up out there?” said a third voice from within. “Some of us are trying to sleep.”

The zombie and the professor eyed each other, then the professor sighed, speaking softly. “I think my metaphor still holds.”

“The building, as you call it, is always on fire,” said the zombie. He was less concerned about waking their guest, but he too had begun to whisper. “That is the nature of buildings. They are built up only to be burnt. Your problem is you think the darkness within will save the edifice without.”

“You’re mighty philosophical for a man who hungers for human flesh,” said the professor. She had had this argument with the zombie many times, and it was late, she was tired, not thinking straight. She knew the human flesh crack was low, that if he was sensitive about anything it was that. But, rubbing her forehead again, the professor wasn’t so sure that she cared.

“Sorry,” she said anyway, knowing that if she didn’t they would never get any sleep. And then in the morning, when their guest awoke…

No, she had promised herself she wouldn’t even think about that now. It had been a stupid gesture to even invite him here, stupid of him to come, no doubt, to stroll right into the lair of his two sworn enemies, but even more stupid for either of them to have let him in, for any of them to think that some good would come of this foolish exercise. She would be lucky if she survived past the morning, and there was no way that would happen if she exhausted herself debating metaphors with a dead man long into the night.

“I think we just have to agree to disagree,” she said. She could tell he was hurt. The turning had left him undead, but not unfeeling, as he was all too fond of reminding her. He felt every death, and he had not killed in several months. Yet the hunger still remained. To remind him of that need — that had been truly stupid. She needed him on her side, now more than ever, and so she did not make a habit of rubbing salt in those old wounds. “We’re both tired,” she told him.

“I don’t sleep,” was all he said.

“You know what I mean,” she offered. She sighed, then added, “I didn’t mean anything by that, by what I said.”

“This is what happens,” the zombie said, slowly, softly, keeping his voice low but making sure she heard each word, “when you consort with the darkness.”

“Without the darkness,” she said, still arguing despite herself, “you and I would have nowhere to stand. That thing in there — “ and here she pointed to the tent “ — that man, he is of the light. His is the fire that burns down our buildings. His is the blinding and blistering flame that must, must be snuffed out.”

“I can still hear you both, you know,” said the third voice.

“I need to sleep,” the professor said to the zombie. “We can debate tactics in the morning. You have my word, darkness or no darkness, that I won’t try to kill him before then.”

It started with a kind of weird prompt: two quotes — I provided the second one up top — with the dialogue tags and characters added by someone else. I haven’t got a clue what’s going on in this story, but I think there’s something.

It almost sounds like a busy weekend

Last night, I watched The Master, which…I just don’t know. Most of the acting is terrific, even when it’s in service of emotion more than character or plot. Watching the camera hold tight as a range of emotions play out across Joaquin Phoenix’s face is affecting, even if it’s sometimes difficult to understand what he’s saying or what exactly is playing out between the characters. I don’t know that I could say I enjoyed it, but I also don’t know that it’s a movie designed to be enjoyed in quite that way. There is a lot to like about it, however, and I’m glad I watched it.

I wish I could say the same for last week’s episode of Community, which I also watched. The week before, with their “puppet episode,” the show really seemed to finally cross the line into unwitting parody of itself — the sort of thing that, on the surface, is exactly the sort of thing the show’s fans say we love. Didn’t we all love Abed’s Christmas episode, where they all turn into stop-motion animation? Well, yes, but not because of that. Here, this year, it was all surface, and the execution left so much to be desired. This week, though…it was just trying way too hard for very few laughs. It goes off in a direction I really, really hope isn’t the season’s end game, and just feels like an empty shell of the show I used to love.

I also watched an episode of the Syfy Channel show Continuum, which surprised me by being pretty decent. It’s on Netflix now, and full of time-travely intrigue, so I’ll probably keep watching. Earlier in the week, I’d watched the first episode of their newer show Defiance…which you can sort of tell came into being simultaneously with a video game set in the same universe. The show — and I don’t necessarily mean this as a bad thing — is like one long cut-scene that the game developers forgot to stop rolling. I liked that the show doesn’t spend a lot of time on exposition…and yet, at the same time, I actually kind of wanted more, which is a rarity in the genre. The show has a deep back-story that it’s not all that great at explaining.

Sometimes that’s for the good. I get stories all the time for Kaleidotrope, for instance, where the narrator spends several pages just explaining how the world he or she inhabits got like it is — “in 2071 the robots took over” or whatever — to an audience who’s theoretically also in that world. Unless they’re explicitly leaving a document for the future, there’s no reason for them to assume the reader is unfamiliar with the world too. It’s tricky, of course, because the actual reader is unfamiliar with it, so some exposition is going to be needed. But it’s a lot better to show the world through observed detail than to lay it out as “this happened, then that happened.”

While I like that Defiance just kind of lets its world be — its characters don’t need every alien explained — it’s not impossible to get a little lost.

And of course, all that being said, while I found some things to like about the show, I’m not desperate to revisit it. As a fan of Farscape, I enjoyed seeing the name Rockne S. O’Bannon among the creators…but the man’s also been responsible for some clunkers (like SeaQuest). But we’ll see.

Then there was the new Doctor Who, which was a significant improvement over the past couple of weeks. If nothing else, it was nice to see the show being genuinely scary for a while.

And then today, I went to see Oblivion. It’s okay, passable entertainment.

And somewhere in all that — it really wasn’t all that, and it was actually right before the movie — I wrote this:

The war, if you could call it that, only lasted ten hours. But after that, we spent a whole week picking bomb fragmentation out of the northern wall, salvaging what we could and repairing damage wherever salvage was not an option. Mad King Helfud’s forces had been easily repelled, driven back into the wastes, or driven to their collective knees, and most of the dead who were left behind were the king’s own famed shadowtooth brigade. These were supposedly the finest soldiers the frozen death lands to the north of us had ever seen, if you were to believe Helfud’s own incessant ravings, but that hadn’t stopped our armies from trailing them from as far back as the Tsirich Sea, or Helfud himself from rotting in our dungeons once those armies actually engaged him and his soldiers in battle. The shadowteeth had been pulled, that’s what everyone was saying; and though I thought some of the young lads belabored the metaphor — our armies were the dentist, the field of battle the bloody, tooth-freed gums — there was little doubt throughout the kingdom that we had been victorious.

And yet, that wall wasn’t going to repair itself.

It was almost surprising how much damage one madman could do in less than half a day. And I suppose the loyalty he inspired in his troops — if not the fear they say lurks deeper in his subjects’ tired eyes — was remarkable, even inspiring, after a fashion. I sometimes wish I could inspire half that much loyalty in the layabout boys they send me to till the gardens or pull the weeds…or repair the walls. Bur I am a humble groundskeeper, not a tyrant, and while Helfud may indeed look resplendent in his northern gold, I know as well as anyone that it was bought for with the blood and bones of those who — till now at least — had dared defy him.

Perhaps it was just as well, then, that I had been born to a simpler life. And just as well, too, that Helfud, they say, was to be transported back to Earth.

I don’t know about the sci-fi turn it takes near the end. But there’s definitely the hint of A Game of Thrones in there. Have I mentioned that I’ve started watching it again? I think, actually, that’s what I may go and watch right now.

“You never know what’s comin’ for ya.”

It’s been a pretty ordinary handful of days lately. I decided a little while back to take this coming Monday off, so this has been a three-day weekend, and I still have tomorrow off. I’ll work from home on Tuesday, and then travel to a local campus on Wednesday, so hopefully it shouldn’t be too rough a week. The part of me that gets to sleep in a little late in the morning certainly doesn’t think so.

Last night, my parents and I went out to dinner for my upcoming birthday, and except for dessert, which was decent but unremarkable, it was a very lovely meal. I had duck gnocchi with wild mushrooms, pine nuts, golden raisins, and pancetta to start, and then possibly the best sea scallops I’ve ever tasted. (With roasted cauliflower, toasted almonds, and more golden raisins.) I was ridiculously stuffed afterward, but it was a very good meal.

This evening, I watched the first episode of the new Bates Motel television series, which wasn’t very good, and then later The Curious Case of Benjamin Button, which surprised me because it was.

I think the AV Club is right about the series that “[t]he problem, then, is that Bates Motel is simply overburdened by the reason it exists.” It fails to work, at least in part, because it winds up having to be a Psycho prequel. (It’s the same thing I thought seeing the trailer for the upcoming Hannibal TV show. It looks strangely interesting; I just really, really wish it wasn’t an adaptation/prequel/remake of Manhunter/Silence of the Lambs.)

And earlier today, in my weekly writing group, I came up with this based on some prompts we picked out of Scientific American Mind magazine:

“I can kill you with my brain,” she said, “and with just a glance. But let’s pretend for a moment that we’re both civilized people and there’s maybe a better solution?”

He frowned, but then nodded, holstering his weapon, and sat in the wing chair opposite her. “Agreed,” he said — and she realized with a start that in all these years this was perhaps the first time she had actually heard his voice. And after he had killed how many of her sisters?

“So we are at an impasse,” she said. “I have no desire to kill you nor any desire to die, but that seems to be where fate has landed us.” She tried to smile; she would not betray herself with a showing of fear, not to this man, damn his eyes. “Tea?” she said, lifting the pot.

Again, the nod, and almost a hint of a smile himself. A trained killer, she thought, and completely ruthless, but not wholly above the social niceties. For just a moment she wondered which of them both she was thinking of.

“Two sugars,” he said. “No lemon.”

She poured the tea and handed him the cup. He let it cool for a moment in his hands, blew gently across its surface, but then drank the tea without hesitation. He knew you wouldn’t stoop to poison him, she thought, and then just as quickly regretted that she hadn’t. She sipped from her own cup and stared at him, letting the silence settle between them, counting up all the room’s exits in her head.

“What I propose is a bargain,” she said finally, returning her cup to the tray on the table in front of her. “Or perhaps more accurately a trade. My life — “

He stared, but said nothing, still sipping his tea.

“ — for information. I know things that you don’t, things even my sisters didn’t know. If you killed me now — or rather, if you tried to kill me now — that knowledge would die with me.”

He nodded — so calm, damn him, even now — and leaned forward in the chair to place his own, now empty cup upon the tray. Then he sat back, actually crossed his legs, and this time did smile. There was more good humor in that look than she would have thought possible; this was just a job to him, one he took great pleasure in, but he did not hate her. And suddenly she hated him all the more because of that.

“You have no information that I want or need,” he said, a great finality to his voice. Even seated, relaxed, almost laughing, she knew he could reach his gun before she could act. Only his own doubt of that had saved her this far. “You don’t know anything.”

“I know who sent you here,” she said. “I know your employers. And I know how to kill them.”

He stared for a very long minute, and she braced herself for the shot, that final bullet with her name on it, and then he said:

“All right. I’m listening.”

I dunno, I kind of like it.

And that’s been most of weekend. Still one day of it to go, however, thank goodness.