I feel like there’s some kind of weird Prison Break riff to be made off of this elaborate Marvel comics tattoo, but unfortunately the only comics prison I can think of offhand is Arkham Asylum*, and that’s DC, not Marvel.

So, yes, I’m a ridiculous geek, but apparently not ridiculous enough to make this connection. Which, come to think of it, is probably for the best.

Anyway, link via Progrssive Ruin.

* Well, okay, there’s also the Phantom Zone, I guess, but that’s really no better, now is it?

Well this is interesting:

John Lennon had read The Three Stigmata of Palmer Eldritch (one of [Philip K.] Dick’s best, and quite possibly the weirdest book yet written) and wanted to make a film of it. Perhaps, in some alternate universe, Lennon survived to do that, but in our world the big breakthrough was Ridley Scott’s 1982 movie Blade Runner, based on one of Dick’s most popular novels, Do Androids Dream of Electric Sheep?

Having read The Three Stigmata, I’m having a tough time imagining it as a film, much less one informed by Lennon’s absurdist tendencies. Then again, Blade Runner bears only a passing resemblance to Dick’s original novel — for better and for worse; they’re like mirror-universe versions of one other. Even the best translations of Dick’s stories to the screen — here I’m thinking of Minority Report — usually transform into big action movies along the way*. I think this goes a long way to explaining Dick’s continued appeal in Hollywood. It’s not so much the weird and paranoiac worldview, or its resonance with modern audiences, as it is the simple framework on which directors and screenwriters can stretch pretty shots of stuff blowed up real good.

* I haven’t seen A Scanner Darkly yet. I suspect that, if it is an exception, it’s just the one that proves the rule.

I don’t know that “heliumpunk” qualifies necessarily as a new subgenre, but it is an interesting idea. As I understand it, it’s essentially a more realistic twist on steampunk, not simply tossing outmoded forms of technology into a futuristic setting, but envisioning a future in which those forms could theoretically come back into fashion:

“A future or near-future setting where anachronistic and obsolete technology is given a new lease on life, not just because it is cool, but for plausible reasons within the setting.”

Like I said, it’s an interesting idea.

Via Warren Ellis.


It occurs to me that I haven’t posted the actual contents of Kaleidotrope‘s second issue. So here, for just $4 — all of which, I think I can safely say, will wind up in my contributors’ hands — is what you’ll get:

Fiction
“The Pilgrim” by Carol D. Green
“First Peeling” by Daniel Ausema
“The Diary of Hillary Sorensen-French” by S. C. Bryce
“The Role of Plumage in the Mating Habits of the Karraw” by J. R. Blackwell
“Midnight Gardener” by Bill West
“The Bride” by Adicus Ryan Garton
“Abergavenny” by J. Anderson Coats
“Einstein’s Lost Paper” by George O’Gorman
Three stories by Beth Langford
“Wonan the Barbarian and the Sentence of Certain Death” by Kiel Stuart

Poetry
“Biology Experiment” by Sheri Fresonke Harper
“Sleep” by C. A. Gardner
Two poems by Terrie Leigh Relf
Two poems by Jennifer Crow
“How to Be a Bunny” by Rachel Swirsky
“Scifaiku I-V” by Daniel C. Smith
“Bee-Bop” by d. cat chopra
“Contact” by Tracie McBride
“Merchants” by John Grey
“A Lesson in Magic” by Kristine Ong Muslim
“Signal” by Aurelio Rico Lopez III

Artwork
Remi Treuer
Amelia Peel
Cathy Buburuz
Jim Cleaveland
Rod Walker
Erik Wilson

Plus an in-depth interview with popular fantasy author John Marco, horoscopes, and some other incidental bits and pieces, pieces and bits.