Tuesday various

  • I don’t imagine this is going to end well — FlashForward fans plan to fall over and act unconscious:

    According to Variety, fans of the show will assemble in front of ABC network and affilate offices in New York, L.A., Chicago, Detroit and Atlanta on June 10 and for 2 minutes and 17 seconds are going to pretend to be passed out—just like the 2-minute-17-second blackouts on FlashForward.

  • Am I the only one who thinks “celebrate originality” is maybe a weird tagline to an ad that basically just repurposes the Star Wars cantina scene?
  • I’m not sure I agree with everything Christopher Miller suggests on how to write a rejection slip, but I am amused by his contention that “rejection slips are the most widely and attentively read short literary genre.” [via]
  • Warren Ellis suggests asking these important questions when writing:

    1) What does that character WANT?

    2) What does that character need to do to GET what they want?

    3) What are they prepared to DO to get what they want?

  • And finally, a fascinating profile of Haim Saban, still perhaps best known as the man who (curse him) brought us Mighty Morphin Power Rangers [via]:

    At twenty, while he was serving in the Israeli Defense Forces, Saban made his entry into show business. He told the owner of a swimming pool where a band played that he was a member of a far better band. Saban didn’t really play an instrument, and he didn’t know a band. But he found one, and took the businessman to a club to hear it, claiming that he wasn’t playing because he had hurt his arm. He named a price that was double what he had learned the band was making, and then approached the band members with his offer and his condition: let him join. “They said, ‘For double the money, we’ll figure the whole thing out.’ ” He eventually learned to play the bass guitar a little, but occasionally during the first few months he performed with both his speaker and his microphone turned off.

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