various

Tuesday various

  • If you’ve ever wanted to search the entire 137-year archive of Popular Science, well, now you can. [via]
  • I like these re-imagined Stephen King book covers. [via]
  • And this: The League of Extraordinary Gentlemen 1988. [via]
  • Zombie apocalypse survival flowchart [via]
  • And finally, Todd VanDerWerff on why it doesn’t really matter if all the mysteries on Lost don’t add up. Contains spoilers up to last week’s episode:

    I certainly don’t want to tell any of you who are watching this final season and demanding more answers that you’re wrong to watch the show that way. Everyone watches TV for their own reasons. All I can do is tell you why I watch it, and I watch it because I want to see worlds I believe in, no matter how ridiculous, characters I care about, no matter how they end up mired in metaphysical conflicts from beyond our reality. I want to see a man realize that the only thing worth fighting for is the love of a woman he’s never met. I want to see another man who keeps chasing death because he thinks it’s the only way to find purpose. I want to see a doctor slowly realizing that there’s more to the strange events swirling around him in two worlds, a sad musician pull scientific genius out of thin air. The people on “Lost” aren’t real, obviously, but I want to believe they could be, that they’re living in a universe just around the corner. I want to see that smooth cut from Desmond grasping Penny’s hand to his eyes opening back on the Island, the look of joy on his face when it happens, a realization that some things matter more than others. Does it matter to me if the puzzle has its holes? No. Because what’s there is something I desperately want to see.

Monday various

Tuesday various

  • New research suggests that reading cuts stress levels by 68%. Clearly these researchers have never tried reading Dan Brown or Going Rogue. [via]
  • New research also suggests that food portions have grown significantly larger in depictions of the Last Supper over time. [via]
  • Ever wonder what those ISBNs mean? We have several different ISBN prefixes at work, having purchased and integrated other publishing companies in recent years, and it’s often quite helpful to be able to tell at a quick glance where a book originated from. [via]
  • Are strong female characters bad for women? [via]
  • And finally, Ken Jennings on Gotham City’s museums, banks, and storefronts:

    Maybe I just don’t understand all the challenges that come with running a business in Gotham. It’s true that this is a place with a weird, weird economy. How does one city support five hundred abandoned amusement parks and toy factories?

Monday various

  • I think John Scalzi has it right about this health care bill that passed in the House yesterday:

    As such there was no real political or moral philosophy to the GOP’s action, it was all short-term tactics, i.e., take an idea a majority of people like (health care reform), lie about its particulars long enough and in a dramatic enough fashion to lower the popularity of the idea, and then bellow in angry tones about how the president and the Democrats are ignoring the will of the people. Then publicly align the party with the loudest and most ignorant segment of your supporters, who are in part loud because you’ve encouraged them to scream, and ignorant because you and your allies in the media have been feeding them bad information. Whip it all up until health care becomes the single most important issue for both political parties — an all-in, must win, absolutely cannot lose issue.

  • Meanwhile, Poppy Z. Brite has some harsh things to say about David Simon’s new HBO show Treme. The title of her post should tell you exactly how she feels about their filming in her hometown of New Orleans. It raises some interesting questions — namely, are some wounds too raw to be fictionalized, much less re-enacted for television in the same place? And what, if anything, is Treme‘s responsibility to the neighborhoods in which it films? Is it meeting that responsibility, just by bringing jobs and revenue to the city? (After all, you can’t please everyone, no more how sensitive your approach.) Can Simon, as an outsider to the city, even hope to do the tragedy that was Katrina justice? Frankly, you couldn’t stop me from watching this show, and I think if it’s handled with even half the depth and honesty as The Wire, it could terrific and emotional television.

  • Paul Di Filippo has the line-up for the ultimate Beatles-reunion band. This is either a terrfic or terrible idea, I’m not sure which.

  • Oh great, a book of inspirational quotes from Sarah Palin. I can’t fucking wait. [via]

  • And finally, I’ve mostly avoided all these Chatroulette videos (and the site itself), but Ben Folds’ live-show use of it was surprisingly awesome [via]:

Thursday various

  • Go on, ask me anything.

  • This future of publishing ad — which I’m seeing re-posted everywhere — is clever. And sure, the whole “death of publishing” thing is all in how you look at it. But, at the same time — and watch the video before you read this — I found it a little too gimmicky. Maybe it’s the length, since it is a little too long to be a truly effective advertisement, or maybe it’s that they kind of had to cheat to make the trick of it work. It is clever, though, I won’t argue with that.

  • This isn’t new, but c’mon, how can you resist a headline like Pentagon Looks to Breed Immortal ‘Synthetic Organisms,’ Molecular Kill-Switch Included? [via]

  • Manahatta: same as it ever was, same as it ever was.
  • And finally, John Seavey on George Lucas’ biggest mistake:

    But all that gets lost in the sheer awesomeness of the Jedi. The signal-to-noise ratio is too high–Yoda is a cool Wise Old Master with all the good bits in Episode Five, Qui-Gon Jinn is played by Liam Neeson and Mace Windu is Samuel Freaking Jackson, and the lightsaber is the coolest weapon in the history of film. Everyone takes Yoda’s words at face value–even the authorized sequels, which show Luke trying to re-establish the Jedi in the image of the old order. Everyone assumes that Luke narrowly won his struggle with the Dark Side at the end, but in fact, he did exactly what people do every day. He got upset, he channeled his anger constructively, and then he calmed down. Only the Manichean nutbags who run the Jedi and the Sith think that this is some kind of near-impossible achievement. The Jedi aren’t the heroes of the film, Luke is, for realizing that there’s something more than the false duality that trapped and ultimately destroyed his father.

    That’s the message of the Star Wars films, and it’s a shame that Lucas made it so hard for people to notice.