Sunday, that’s my fun day

I did the Sunday crossword puzzle today. I wasn’t impressed by it at all. You can read more about the puzzle, along with answers, here, if you’re so inclined. It’s come to this: I’m regularly — like, once a week, only very occasionally more — reading a crossword puzzle blog.

I watched yesterday’s season finale of Doctor Who. I thought it was entertaining, and did a reasonable enough job of bringing some big things to a satisfying enough conclusion, but…okay, minor spoilers here: I’m not so sure I like how they took what’s basically a running dumb meta joke about the television series — one that Moffat himself made before, actually, in “The Girl in the Fireplace” — and make it canon. See, it’s not like anyone calls him that; that’s just what the show is called. Minor quibble, so a minor spoiler. If you haven’t seen the episode, I’m actually still being really vague. Maybe too vague even if you have seen it. Have any of you seen it? Ultimately, I really enjoyed the episode, even if I feel like (more minor spoilers) Moffat went back to last season’s finale a bit much — “The Wedding of River Song” bears at least a passing resemblance to “The Big Bang” — and even if I’m not so sure splitting the season as they did really worked in their favor. “A Good Man Goes to War” is a good finale, and “Let’s Kill Hitler” is a good place to start again, but there’s a loss of overall momentum by splitting them apart. Still, whatever else, you certainly can’t fault Moffat for not telling ambitious enough stories.

I also watched another episode of Star Trek: Deep Space Nine, which I’ve slowly been re-watching (again). There’s not much to say about it — except that, even in the first season when it was still finding itself and defining its characters, the show feels true to itself and well defined. As opposed to, say, those other two Trek spin-offs, Voyager and Enterprise. I’ve slowly been watching Enterprise as well recently, for the first time, and there I do think I’ll have more to say at some point. It’s too problematic a show, despite my genuine appreciation for some of what it does, for me not to say something more. (I’m not sure I can bring myself to rewatch Voyager. I quit pretty early on the first time around.)

I played Portal a little more. I’m very late to the party with this, but it really is a great game. Maddening, challenging, often laugh-out-loud funny — I’d highly recommend it if you’re one of the few people who have yet to play it. (Or was I the last?) I’m very nearly finished, but I tell you: I could have picked a better time — like when I didn’t have an issue of Kaleidotrope to finish laying out — to download a really complicated computer game.

And lest you think I spent all day playing games and watching TV — oh, I also re-watched the pilot episode of Fraiser for some reason. But! I also replaced the air filter on my car, so there’s that — I wrote this:

The aliens built John Wilkes Booth to kill us all, but the man fell in love with the theater and became a celebrated actor of the American stage. It wasn’t until 1865 that the aliens were able to correct for the glitch in his genetic engineering, to overwrite the false memories they had implanted in the humanoid Booth, and redirect him toward their original course of action. By that point, though, the best Booth could do was assassinate a sitting president — which always seems like a big deal in theory, but in practice, in the greater scheme of things, doesn’t often amount to much at all.

And even there, Booth nearly gave the game away when he jumped to the stage and his new programming temporarily shorted out along with his broken leg. Eyewitnesses, and posterity, would later report that Booth had shouted “Sic semper tyrannis” — “thus always to tyrants” — but it was really the alien language of his creators that he shouted, not classical Latin, warning everyone assembled at Ford’s Theater of the giant mothership poised to descend upon the Earth and the alien armada lying in wait somewhere in orbit around Neptune.

It’s questionable what any of the other patrons of the theater that evening could have done with that knowledge even if they had understood Booth, or recognized the string of coordinates his fleeing outburst had inadvertently revealed. Even then, America’s space program was still in its infancy. The operational base on Mars was still manned only by automated drones — Seward’s Second Folly, detractors called it, none too originally — and the Civil War with the lunar colonies had driven Lincoln to distraction.

And yet the aliens called it off, their plans to destroy us all, to subjugate and terraform the planet to their liking, to infiltrate humanity with genetic spies sent to do their bidding. How close to that precipice we came in 1865, we may never know. We can only be glad that the aliens lacked the temerity for a full assault when Booth (and his robotic conspirators) failed to deliver on their earlier promise. What the aliens had cooking in their labs, America of that turbulent age would never know.

Only a century later, in 1963, when the aliens returned to unleash mechanical spiders to kill President Kennedy, would we meet the true face of this global threat.

Of course, they weren’t the same aliens. That accounts for some of it. Conspiracy theorists have tried for years to draw parallels between Lincoln and Kennedy’s assassinations, but the simple truth remains: the aliens that attacked them both were different.

Only the time-traveling werewolf Nazis were the same.

Yeah, I think there was maybe some Doctor Who on the brain there.

ETA: I finished Portal. It would appear the cake is a lie.

Galaxy of the Venom Androids

Today I managed to finish the Sunday crossword, watch this week’s episode of Doctor Who, and write this, based on a number of prompts:

“Donkeys kill more people annually than plane crashes,” said Troy, “and vending machines kill more people annually than both combined. Daffodils are worse than killer bees; cantaloupes are more dangerous than atomic bombs. It’s just statistics, plain and simple. The fact is, people are scared of all the wrong things.”

Perry was letting him talk. Troy could go on for hours, maybe days, if you let him, but telling him to be quiet almost always had the opposite effect. Say anything like “shut the hell up already, would ya?” and Troy would treat that like a personal challenge. Really, you couldn’t win, so it was best to not even try. Let him talk and maybe he’d get tired of his own voice too.

Perry had mentioned, in passing, that he didn’t like flying. He used to do it all the time for business, before the accident. Hop on a jet one day in Atlanta, wake up the next morning in Kazakhstan or…well, okay, fine, actually Wilmington, back home in Delaware. The company never sent Perry overseas, much less to Kazakhstan. Though wouldn’t that have been funny? He was trying not to lie — that was part of what they’d been working on since the accident — but it was really just for effect, just a joke, so really it was okay, right?

The point is, Perry had never liked it, never grown accustomed to the constant travel, the long layovers, the cramped cabins, the other passengers. And he’d never learned to be okay with the feeling that he was putting his life in some over-tired flight crew’s collective hands every time he flew. Every time he saw a flight attendant so much as yawn on the redeye, he’d be awake for hours.

But it wasn’t like he was phobic. He just didn’t like flying.

But there was Troy, ready to jump in with a wealth of whatever he called them, statistics. How much of what he blathered was even true? How much was he making up right there on the spot? And wouldn’t he just shut the hell up already?

Dr. Lemmell was trying to help Perry with these anger issues, what they’d agreed to think of as “anger issues,” and they’d also agreed it was better just letting Troy talk. It wasn’t fair that he was dominating group, and that he did this every time, whether it was Perry’s turn to talk or one of the others. Just last week, Sheldon, that big dumb lump of a guy everybody said was here because he’d murdered somebody, maybe his wife — only that was dumb, because this wasn’t a jail, and even Perry’s accident hadn’t hurt anybody else, too much — Sheldon was talking for maybe the first time in days, sharing something more than a casual grunt or two in session, and Troy had started rattling on about the weather in Venezuela or how you tell if a poison dart frog was really dangerous, or some other kind of nonsense like that. Perry was learning not to bother listening.

He was never going to get out of the ward if he kept focusing his anger on Troy. He’d be stuck here another six months. And then, after that, he’d be right back where they wanted him, in the Galaxy of the Venom Androids, most dangerous place there was. Even worse than the redeye back to Wilmington, statistics be damned. And Perry was not going to let that happen.

You can probably tell what some of the writing prompts were just by reading it. Anyway, that’s pretty okay for a lazy Sunday, right?

Saturday

Today did not go exactly as planned. I only managed to do a little bit of editing, not any writing, and I didn’t watch any movies. I did watch this week’s episode of Doctor Who, however, so there’s at least that.

Thursday various

Tuesday various

  • Abercrombie & Fitch will pay Jersey Shore cast to stop wearing its clothes. How have I gone this far without ever directly encountering either? (And how can I continue this pattern of unexpected grace?)
  • Now you can watch The Big Lebowski with a bunch of random people on Facebook. I am intrigued by this…but not at all interested in participating. I’ve watched — and riffed on — movies with friends online, and enjoyed that experience. But Facebook’s system seems designed mostly to send money to Facebook, which is something I’m considerably less interested in doing.
  • Angry Robot’s WorldBuilder, on the other hand, seems like a much more intriguing communal experience. It’s, again, not one I’m likely to participate in myself, just because I don’t tend to seek out secondary worlds like this — fan fiction, role-playing games, etc. — but there’s something potentially very cool (and profitable, obviously) about a publisher embracing and facilitating this kind of thing right out of the gate. [via]
  • Aled Lewis’s mashups of historical paintings with ’80s adventure games. There’s only a few of these here, but they’re really quite amusing. [via]
  • And finally, Whiny Tea Partiers feel threatened by Jane Yolen:

    Why all the fuss? I believe it’s because Jane explained what was wrong in clear, straightforward language — a knack that way too many liberal pundits have lost. If exposing children to books and literacy is good, then what Ron Johnson is doing to schools and libraries is bad. If children being cared for in a public health clinic is good, then what Ron Johnson is doing to healthcare funding is bad. Johnson tacitly admits that these things are good, and that the general public sees them as good, by using them as props for his photo session. He wants the benefit of being associated with them. Then, in real life, he does his best to trash them. Simple.

    What venues like Moe Lane and WTAQ News Talk are really saying is that Jane Yolen made them feel bad. She got through to them. They can’t really argue with her, so they throw sh*t in her general direction, but still: she got through to them.