comics

Thursday various

  • If it was up to me, Christopher Walken would read everything, not just Lady Gaga lyrics. [via]

  • Is there a good Roger Ebert and a bad Roger Ebert? Roger Ebert examines the question.

    I think I fall somewhere in between Ebert and Schneider on this, though I’m much less analytic about film than the latter. I do think Ebert sometimes lets emotion sway him too far in a movie’s favor (Congo comes to mind, for example.) But I almost understand why he likes something I think is awful, and I can’t disagree with his assertion that “film itself is primarily an emotional, not a cerebral, medium.”

  • Dave Kehr on Blu-Ray and DVD:

    For Blu-ray to look its best it requires picture and sound images of the finest, most pristine quality. That’s not difficult to come by in a contemporary release like “Transformers: Revenge of the Fallen” (the best-selling Blu-ray of 2009), but is somewhat more problematic for a film made in Germany in 1926. Blu-ray exaggerates the faults in older material: the dust specks and scratches caused by decades of wear and tear, the softness of detail or harshness of contrast caused by duplication from sources several generations removed from the film that actually passed through the camera.

    He also shares this interesting statistic: “Turner Classic Movies online says that of the 162,984 films listed in its database (based on the authoritative AFI Catalog), only 5,980 (3.67 percent) are available on home video.”

    We will probably never achieve the utopian vision of having every film ever made available at the click of a mouse, but we are certain to move a little bit further in that direction in the decade ahead — with the cooperation of the studios or without them. (Copyrights will soon be expiring on the first wave of talkies.) In the meantime let us praise diversity. As confusing as the format wars may be, they keep hope alive.

  • Philip K. Dick on dreams and/or the universe’s practical jokes.

  • And finally, a famous Twilight Zone episode reimagined for a modern age. [via]

Monday various

  • Ursula K. Le Guin On Rules of Writing, or, Riffing on Rechy:

    As for “Write what you know,” I was regularly told this as a beginner. I think it’s a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so it’s my duty to testify about them. I got my knowledge of them, as I got whatever knowledge I have of the hearts and minds of human beings, through imagination working on observation. Like any other novelist. All this rule needs is a good definition of “know.” [via]

  • At this rate, NBC’s Day One is going to end up as nothing but a blipvert.
  • 42 Essential 3rd Act Twists [via]
  • I really like this vintage ad search engine. [via]
  • And finally, Batgirl Is Now Prince. Also: Marvel Comics as Simpsons characters [via]

Monday various

  • Exploding Chewing Gum Kills Student. I have to admit, this sounded like a hoax or urban legend when I first read about it, but it seems distrubingly legit. At least, I didn’t find anything discounting the story at Snopes. [via]
  • Well this is disappointing and surprising: the Internet Review of Science Fiction is closing after its February issue.
  • Grant Morrison on what appeals to him about comics as a storytelling medium:

    The essentially magical qualities of inert words and ink pictures working together with reader consciousness to create a holographic Sensurround emotional experience. What else?

  • I’ve seen some talk about how 2010 is the real end of the past decade — that the decade is still going on, that is — since there was never a Year Zero. I think this is maybe true on a very pedantic, technical level, but I also think it’s a battle that was lost two thousand years ago, in Year Ten. When people talk about the last decade, they’re including 2000-2001, not miscounting. As Bad Astronomy points out [via], the argument that 2010 isn’t the start of a new decade suggests that “people [are] confused on how we delineate time.”
  • And finally, Daniel’s Daily Monster:

    Every week day (starting from 7th May 2009) I draw a little monster card to go in my son’s lunchbox.

    These are just really delightful. [via]

Tuesday various

Tuesday various