internet

Monday various

  • Play any website as music using CodeOrgan. For what it’s worth, here’s what this site supposedly sounds like. [via]

  • “Sealed with a righteous kiss and something something death.” Very funny subtitles from Cambodian Twilight and Avatar DVDs. [via]

  • Meanwhile, here’s a neat infographic outlining just what you get as a DVD pirate versus as a paying customer. Of course, it seems to be missing one of those full-length anti-piracy ads — also often unskippable — that play at the start of many DVDs.

  • Here’s a horrific and “little-told story of how the U.S. government poisoned alcohol during Prohibition with deadly consequences.”

    Frustrated that people continued to consume so much alcohol even after it was banned, federal officials had decided to try a different kind of enforcement. They ordered the poisoning of industrial alcohols manufactured in the United States, products regularly stolen by bootleggers and resold as drinkable spirits. The idea was to scare people into giving up illicit drinking. Instead, by the time Prohibition ended in 1933, the federal poisoning program, by some estimates, had killed at least 10,000 people. [via]

  • And finally, on a slightly happier note: the headline reads: Rapper says politician used Vulcan grip on him in airplane fight.

Thursday various

Monday various

  • So first the Discovery Channel created this commercial, which was actually kind of awesome. It was set to the tune of a traditional campire song (which was itself set to the tune of Hoagy Carmichael’s “Heart and Soul”). And then Randall Munroe created this webcomic, riffing off the commerical, which was itself pretty awesome. And now that awesomeness has gone one step further. Honestly, where else are you going to see Neil Gaiman singing while bouncing on a trampoline with his daughter? Or Cory Doctorow in full red cape and goggles regalia? This is just seriously fun. [via]
  • Meanwhile, here’s the Ultimate Graphic Novel (in six panels). I don’t think they missed anything. [via]
  • While I’m on the subject of comics and artwork, check out Derek Chatwood’s terrific illustrations. The short stories that accompany the drawings are worth reading, too! [via]
  • Apparently, you can remove scratches from your DVDs using just a banana and some toothpaste. Time to MacGyver up! [via]
  • And finally, the world’s luckiest sports fan? [via]

Monday various

  • I think the most interesting thing about this new Dante’s Inferno video game — which itself sounds pretty silly, a mashup that misses the point of both sides — is this quote:

    “We look at companies like Walt Disney, where they’ve got intellectual properties that feel like their own, but are based on literature from a time gone by,” said John Riccitiello, Electronic Arts’s chief executive. “A great intellectual property can live a second or third time in new media, because it gives you a head start.”

    Because it underlines that Disney made it big by adapting well known tales it didn’t originate (from the very beginning, actually) but nowadays runs for its lawyers anytime someone tries to do the same to it. This is nothing new, but shouldn’t Mickey Mouse be, you know, out of copyright by now?

  • The headline reads, After Taliban hit supplies, Army chef serves up 42 days of Spam. [via]
  • You can keep your fart noise generators, this is the only iPhone app I’d really love to have. If they make it available for the iPad, I may just have to break down and buy one.
  • “A third of all children aged five to 16 are convinced that the body of one of their teachers has been taken over by an extra-terrestrial being.” Tell me, can you prove that they haven’t? (Then again: “The survey was commissioned by 20th Century Fox to coincide with the release of Aliens In the Attic on DVD.” So, you know, grain of salt and everything.) [via]
  • And finally, I’m basically just copying this from Making Light, but I agree that Cat Valente makes maybe one of the best arguments for why we still need publishers in the world of e-publishing:

    Funny thing is, if this future came to pass and the market were nothing but self-published autonomous authors either writing without editorial or paying out of pocket for it, if we were flooded with good product mixed with bad like gold in a stream, it would be about five seconds before someone came along and said: hey, what if I started a company where we took on all the risk, hired an editorial staff and a marketing staff to make the product better and get it noticed, and paid the author some money up front and a percentage of the profits in exchange for taking on the risk and the initial cost? So writers could, you know, just write?

    And writers would line up at their door.

    I’m obviously biased, since I work as an editor (for a smaller textbook and professional publisher). But sometimes, there’s a middleman for a reason.

Wednesday various

  • I wish my company had letterhead this cool. [via]
  • An in-depth interview with Netflix’s Chief Content Officer, Ted Sarandos about their recent deal with Warner Bros. I think this goes a long way to explaining the deal and why it’s ultimately a boon to Netflix subscribers. (As such, the interview is maybe only of interest to subscribers.) There’s been a lot of anger over the planned 28-day window between when DVDs go on sale and when they’ll be available for rent at Netflix. But I really don’t have a problem with it — not if it means more, and better streaming content and a greater likelihood that when a new release is available, there will actually be enough stock for me to get a copy.
  • An interest Catch-22 of science fiction translations revealed:

    Because it takes so long for English-language science fiction to get translated, people in non-English speaking countries are often reading books that are several years behind the current fashion in English speaking countries. They then write books in response to what they have read, but when those books are offered for translation into English the big publishers reject them as “old fashioned”. [via]

  • For most authors, breaking 1,000 words wouldn’t seem like much. For Bruce Holland Rogers (who contributed to Kaleidotrope #3, by the way), it’s practically a novel!
  • And finally, some truly beautiful papercraft [via]