A Question-and-Answer Session

The following are all genuine questions taken from unreality.net search referrals. As a public service, I will periodically endeavor to answer some of them.

How can I make the furniture in Queen of the Damned?

Isn’t Queen of the Damned‘s mere existence as a movie punishment enough? Recreating the furniture in it just seems like adding insult to injury. (Also, was there furniture of note? I kept getting distracting by the lame vampires.)

Why did Shakespeare use Titania?

Because Pamela Anderson hadn’t been invented yet. Also, when writing a play that features the king and queen of Faerie as characters, it’s almost always necessary to refer to them by name.

Gillian Anderson: where is she now?

Well, I don’t think she has a GPS embedded in her skull of anything. (Those alien implants on The X-Files? Not real.) So I don’t know exactly where or anything. But if you’re wondering what she’s been doing career-wise, you could check here. My understanding is she’s in England a lot nowadays.

Will holding a mirror in front of a fish change what a fish does?

Do you want to change what a fish does? Fish swim. What is it about swimming that you think is in such dire need of change? What do you want the fish to do — write a concertina or something?

What do the people of Ichthyologist do?

Well, Ichthyologist is a proud nation steeped in tradition, its people known throughout eastern Europe for their fine, hand-tooled arts and crafts and their locally produced cheeses. (No, wait, sorry. Ichthyologists study fish.)

Who decides literary canon?

Old white guys. Tweed jackets. Pipes. Smoke-filled rooms. It’s like a thing.

Why does Grendel kill in Beowulf?

Because if he did it it in Jane Eyre, it would be really confusing.

Why did Shakespeare put the witches in the play Macbeth?

Because he thought chicks would dig it and witches are cool.

How orangutan gets good and oxygen?

How does an orangutan get good? Same way as everybody else — practice! How does he get oxygen? Well, I’m no primatologist, but typically? He breathes.

How does point of view shape the response to a story?

Well, if your point of view is from underwater as the author of the story holds your head down so you can’t breathe, while he or she laughs uncontrollably, your reponse to the story is probably going to be pretty negative, wouldn’t you say?

In Flanders Field
John McCrae, 1915

In Flanders fields the poppies blow
Between the crosses, row on row
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

The Friday Random Guess 10. Guess the lyric, win nothing!

  1. It was kind of cold that night
    “American Girl” by Tom Petty, guessed by Kim
  2. She came down from Cincinnati
    “Fins” by Jimmy Buffett, guessed by Kim
  3. The hour is getting late
    “All Along the Watchtower” by Bob Dylan (covered by many), guessed by John
  4. Jesus, won’t you fucking whistle?
    “Sober” by Tool
  5. He won’t answer anymore
    “Ballad of Ira Hayes” by Johnny Cash (and others)
  6. My latest sun is sinking fast
    “Angel Band” by the Stanley Brothers, guessed by Victor
  7. I got a letter on a lonesome day
    “Boots of Spanish Leather” by Bob Dylan
  8. I only send you my invitation
    “Carry That Weight” by the Beatles, guessed by Kim
  9. No doubt about it she looks so fine
    “Hush” by Deep Purple/Kula Shaker, guessed by Kim
  10. This town is crazy, but nobody cares
    “Lost Cause” by Beck

There’s still about seven left from last week and about six from the week before. My tastes in music are not that obscure, people, I assure you. Try your luck; you’ve got nothing to lose — or win. Best of luck!

So assuming I actually manage to pull together this zine* it might be worthwhile trying to go to this. Of course, I’d only have one issue to promote, and said issue itself might exhaust my resources (and then some). Actually getting a table in the dealer’s room could prove tough.

And of course, there’s also the possibility that I might be sent to this for work (it’s all very undecided at the moment). I definitely don’t think I could manage to snag an extra 1-2 weeks of vacation in Austin, however much I’d like to.

Anyway, it’s something to think about. I think Kaleidotrope #1 is shaping up to be pretty good. I’m still accepting submissions for the October issue until June 30.

* I’ve started accepting pieces, so I’d better.