{"id":12245,"date":"2020-02-02T10:11:12","date_gmt":"2020-02-02T15:11:12","guid":{"rendered":"http:\/\/www.unreality.net\/weblog\/?p=12245"},"modified":"2020-02-02T10:11:15","modified_gmt":"2020-02-02T15:11:15","slug":"january-2020","status":"publish","type":"post","link":"https:\/\/www.unreality.net\/weblog\/?p=12245","title":{"rendered":"January 2020"},"content":{"rendered":"\n<p>It&#8217;s been two years since I posted anything here, and I make my triumphant return to weblogging really only to post about the media I consumed in the last month. This is mostly just going to be a place for me to keep track of this for my own piece of mind.<\/p>\n\n\n\n<p>I&#8217;m making a real effort to read more books this year, and in January I read two more than I did in all of 2019:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"953\" height=\"992\" src=\"http:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2020\/02\/jan2020books-1-1.jpg\" alt=\"\" class=\"wp-image-12246\" srcset=\"https:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2020\/02\/jan2020books-1-1.jpg 953w, https:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2020\/02\/jan2020books-1-1-288x300.jpg 288w, https:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2020\/02\/jan2020books-1-1-768x799.jpg 768w\" sizes=\"(max-width: 953px) 100vw, 953px\" \/><\/figure>\n\n\n<p>That&#8217;s<\/p>\n<ul>\n<li>Gideon the Ninth by Tasmyn Muir<\/li>\n<li>Here by Richard McGuire<\/li>\n<li>How To Be Happy by Eleanor Davis<\/li>\n<li>Check, Please! Book 1 by Ngozi Ukazu<\/li>\n<li>Marvel Masterworks: Doctor Strange &#8211; Volume 5 by Steve Englehart, Frank Brunner, and Gene Colan<\/li>\n<li>The New Voices of Science Fiction edited by Hannu Rajaniemi and Jacob Weisman<\/li>\n<li>Freddy the Detective by Howard Hughes<\/li>\n<li>Bitch Planet, Vol. 1 by Kelly Sue DeConnick and Valentine De Landro<\/li>\n<li>March: Book One by John Lewis, Andrew Aydin, and Nate Powell<\/li>\n<li>Transcendent 3: The Year&#8217;s Best Transgender Themed Speculative Fiction edited by Bogi Tak\u00c3\u00a1cs<\/li>\n<li>Evvie Drake Starts Over by Linda Holmes<\/li>\n<li>This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone<\/li>\n<\/ul>\n\n\n<p>I mostly enjoyed them all&#8211;though Freddy the Detective, an old children&#8217;s book that was bought for me as a gag gift, maybe isn&#8217;t the lost classic its cover asserts, and there were more than a few typesetting errors throughout. <\/p>\n\n\n\n<p>Richard McGuire&#8217;s Here is a genuinely astonishing graphic novel, while Ngozi Ukazu&#8217;s Check, Please! was a delightful surprise. Muir&#8217;s novel, which I read for my book club, was a whole lot of fun, and I&#8217;ll definitely read its sequel. And I was really impressed by Linda Holmes&#8217; first novel. I&#8217;m familiar with her writing from <a href=\"https:\/\/www.npr.org\/podcasts\/510282\/pop-culture-happy-hour\">Pop Culture Happy Hour<\/a>, and here voice definitely comes through in the prose, but the nicest thing is how none of the characters or their problems feel contrived, despite the ostensibly romantic-comedy plot.<\/p>\n\n\n\n<p>Which leads into my favorite short stories from the month. I&#8217;m still trying to read a new (to me) short story every day:<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">Most of the short stories I read in January were from a couple of really great anthologies: <br>&#8211; The New Voices of Science Fiction edited by <a href=\"https:\/\/twitter.com\/hannu?ref_src=twsrc%5Etfw\">@hannu<\/a> and Jacob Weisman (<a href=\"https:\/\/twitter.com\/TachyonPub?ref_src=twsrc%5Etfw\">@TachyonPub<\/a>) and<br>&#8211; Transcendent 3, edited by <a href=\"https:\/\/twitter.com\/bogiperson?ref_src=twsrc%5Etfw\">@bogiperson<\/a> (<a href=\"https:\/\/twitter.com\/lethepress?ref_src=twsrc%5Etfw\">@lethepress<\/a>)<\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223368338979610626?ref_src=twsrc%5Etfw\">January 31, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">But I also read a bunch of great stories outside of anthologies this month. For instance, I really liked &#8220;Familiar Face&#8221; by <a href=\"https:\/\/twitter.com\/megelison?ref_src=twsrc%5Etfw\">@megelison<\/a> in <a href=\"https:\/\/twitter.com\/NightmareMag?ref_src=twsrc%5Etfw\">@NightmareMag<\/a>.<\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223368340640542721?ref_src=twsrc%5Etfw\">January 31, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">In January, I enjoyed &#8220;The Tale of Descruptikn and the Product Launch Requirements Documentation&#8221; by <a href=\"https:\/\/twitter.com\/effies?ref_src=twsrc%5Etfw\">@effies<\/a> at <a href=\"https:\/\/twitter.com\/CastOfWonders?ref_src=twsrc%5Etfw\">@CastOfWonders<\/a>.<\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223368341915623424?ref_src=twsrc%5Etfw\">January 31, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">I also really liked &#8220;Black Flowers Blossom&#8221; by <a href=\"https:\/\/twitter.com\/vinajiemin?ref_src=twsrc%5Etfw\">@vinajiemin<\/a> in <a href=\"https:\/\/twitter.com\/UncannyMagazine?ref_src=twsrc%5Etfw\">@UncannyMagazine<\/a>.<\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223368342964228096?ref_src=twsrc%5Etfw\">January 31, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">I enjoyed &#8220;Grandmother\u00e2\u20ac\u2122s Satchel, Full of Tongues&#8221; by <a href=\"https:\/\/twitter.com\/wordsofbirch?ref_src=twsrc%5Etfw\">@wordsofbirch<\/a> in <a href=\"https:\/\/twitter.com\/flashfictionmag?ref_src=twsrc%5Etfw\">@flashfictionmag<\/a>.<\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223368344092454919?ref_src=twsrc%5Etfw\">January 31, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">And finally, I really liked &#8220;Valedictorian&#8221; by <a href=\"https:\/\/twitter.com\/nkjemisin?ref_src=twsrc%5Etfw\">@nkjemisin<\/a> on <a href=\"https:\/\/twitter.com\/hashtag\/LevarBurtonReads?src=hash&amp;ref_src=twsrc%5Etfw\">#LevarBurtonReads<\/a>.<\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223368345573101571?ref_src=twsrc%5Etfw\">January 31, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>I watched 19 movies in January:<\/p>\n\n\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">There\u00e2\u20ac\u2122s a halfway decent movie somewhere in GALAXY OF TERROR. Some of the acting isn\u00e2\u20ac\u2122t awful, the visual FX are cheesy but (for the budget) impressive, and there\u00e2\u20ac\u2122s enough story weirdness to be interesting. But the script\u00e2\u20ac\u2122s lousy and it\u00e2\u20ac\u2122s mostly a cheap, confused Alien knock-off. <a href=\"https:\/\/t.co\/9ASkNh1idq\">pic.twitter.com\/9ASkNh1idq<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1213836188978688002?ref_src=twsrc%5Etfw\">January 5, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">DEATH RACE 2000 is amusingly campy. Its satire is more toothless than it (and Criterion. Seriously. Criterion) seem to think, but it\u00e2\u20ac\u2122s entertaining for what it is. <a href=\"https:\/\/t.co\/oWuIagF7lF\">pic.twitter.com\/oWuIagF7lF<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1213836196276781056?ref_src=twsrc%5Etfw\">January 5, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">I liked THE TIME MACHINE (1960). It feels very much like sci-fi of that era, but the effects are still surprisingly good, and the story, such as it is, is engaging. <a href=\"https:\/\/t.co\/sV6d2J301j\">pic.twitter.com\/sV6d2J301j<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1213836202878615554?ref_src=twsrc%5Etfw\">January 5, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">STARRY EYES was (small spoiler) quite a bit gorier than I\u00e2\u20ac\u2122d expected. But it\u00e2\u20ac\u2122s pretty effectively creepy. <a href=\"https:\/\/t.co\/hOZkhD2GxC\">pic.twitter.com\/hOZkhD2GxC<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1213836306666737667?ref_src=twsrc%5Etfw\">January 5, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">APRIL FOOL\u00e2\u20ac\u2122S DAY (1986) is a most unusual slasher movie. I see how those unusualities\u00e2\u0081\u00a0\u00e2\u20ac\u201dwhich I can\u00e2\u20ac\u2122t discuss without spoilers\u00e2\u20ac\u201dmight be disappointing, but I liked it a lot. <a href=\"https:\/\/t.co\/yDjir6se2e\">pic.twitter.com\/yDjir6se2e<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1216372890746204161?ref_src=twsrc%5Etfw\">January 12, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">I&#8217;ve almost certainly seen most of PINOCCHIO (1940), in other Disney videos and attractions, and possibly the entire movie at some point. It\u00e2\u20ac\u2122s a classic for a reason. <a href=\"https:\/\/t.co\/WjwDjiWwWz\">pic.twitter.com\/WjwDjiWwWz<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1216372897201250304?ref_src=twsrc%5Etfw\">January 12, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">THE ROCKETEER (1991) looks good, means well, but is really quite bland. When it\u00e2\u20ac\u2122s over, Roger Ebert wrote in his review, \u00e2\u20ac\u0153it\u00e2\u20ac\u2122s an insubstantial as cotton candy. I suppose that\u00e2\u20ac\u2122s a virtue.\u00e2\u20ac\u009d <a href=\"https:\/\/t.co\/CXLrmZupRb\">pic.twitter.com\/CXLrmZupRb<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1216372902355927041?ref_src=twsrc%5Etfw\">January 12, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">\u00e2\u20ac\u0153Where do these people come from? Where do they go when the sun goes down? Isn&#8217;t there a law or something?\u00e2\u20ac\u009d<br><br>So wrote Rex Reed on John Waters\u00e2\u20ac\u2122 FEMALE TROUBLE (1974). Somehow, it\u00e2\u20ac\u2122s the first of his films I\u00e2\u20ac\u2122ve ever seen, but the fact that it horrified Rex makes it okay in my book. <a href=\"https:\/\/t.co\/cbEJsvVt7y\">pic.twitter.com\/cbEJsvVt7y<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1216372907892453376?ref_src=twsrc%5Etfw\">January 12, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">THE MAN WHO KILLED DON QUIXOTE is not my least favorite Terry Gilliam movie\u00e2\u20ac\u201dand not just because The Brothers Grimm exists. The movie has its moments, but it\u00e2\u20ac\u2122s unfocused and overlong and mostly seems to exist only because Gilliam was obsessed with making _something_ for 30 years. <a href=\"https:\/\/t.co\/YPl5zB1s4o\">pic.twitter.com\/YPl5zB1s4o<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1218906629963501569?ref_src=twsrc%5Etfw\">January 19, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">ZORBA THE GREEK is perhaps not a great movie, but Anthony Quinn\u00e2\u20ac\u2122s Oscar-nominated performance (and Lila Kedrova\u00e2\u20ac\u2122s Oscar-winning one) are fantastic. <a href=\"https:\/\/t.co\/3nyJSnEvtx\">pic.twitter.com\/3nyJSnEvtx<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1218906634254200834?ref_src=twsrc%5Etfw\">January 19, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">THE LIGHTHOUSE\u00e2\u20ac\u00a6 As Glen Weldon asked in his NPR review: \u00e2\u20ac\u0153Has soul-sick dread ever looked so gorgeous?\u00e2\u20ac\u009d The movie\u00e2\u20ac\u2122s a trip, that\u00e2\u20ac\u2122s for sure. <a href=\"https:\/\/t.co\/F1CzPKr18f\">pic.twitter.com\/F1CzPKr18f<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1218906638553354240?ref_src=twsrc%5Etfw\">January 19, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">They don\u00e2\u20ac\u2122t make movies like HARRY AND TONTO anymore, if they ever did. Still, Art Carney beat some pretty tough competition for a Best Actor Oscar that year, and it\u00e2\u20ac\u2122s not exactly difficult to see how. <a href=\"https:\/\/t.co\/jV7zfXhc3d\">pic.twitter.com\/jV7zfXhc3d<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1221456723099181057?ref_src=twsrc%5Etfw\">January 26, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">6 UNDERGROUND is not very good (as I detailed in my tweets below), but say what you will about Michael Bay\u00e2\u20ac\u201chis films have a distinctive, if mostly awful, look.<a href=\"https:\/\/t.co\/B3Kx52fFlV\">https:\/\/t.co\/B3Kx52fFlV<\/a> <a href=\"https:\/\/t.co\/m9Zc9J3eMJ\">pic.twitter.com\/m9Zc9J3eMJ<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1221456728665001986?ref_src=twsrc%5Etfw\">January 26, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">I enjoyed 1982&#8217;s CONAN THE BARBARIAN a whole lot more than I expected to. Sure it\u00e2\u20ac\u2122s cheesy and a little dumb, but that\u00e2\u20ac\u2122s part of its charm. <a href=\"https:\/\/t.co\/rAK0S3rI6b\">pic.twitter.com\/rAK0S3rI6b<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1221456735053008896?ref_src=twsrc%5Etfw\">January 26, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">Watching PHILADELPHIA for the first time in 2020 is probably a distinctly different experience than watching it in 1993, but the film\u00e2\u20ac\u2122s empathy for its characters and the performances absolutely make it worth watching. <a href=\"https:\/\/t.co\/yQQ3mwM1OJ\">pic.twitter.com\/yQQ3mwM1OJ<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1221456740992135169?ref_src=twsrc%5Etfw\">January 26, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">John Carpenter\u00e2\u20ac\u2122s DARK STAR is a movie, I guess. Though in all honesty, it often feels more like training ground for film techniques he would employ to better effect later on. To suggest there\u00e2\u20ac\u2122s a plot, or characters, or a script is maybe stretching it. <a href=\"https:\/\/t.co\/AzlsAs1nr4\">pic.twitter.com\/AzlsAs1nr4<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1221456746792747010?ref_src=twsrc%5Etfw\">January 26, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">It\u00e2\u20ac\u2122s not difficult to see how JOKER might be mistaken for a good movie. It looks good, even if that look is heavily borrowed from Scorsese and others. And Phoenix, though much better elsewhere, is certainly going for it, whatever it is. But the movie is so empty at its core. <a href=\"https:\/\/t.co\/75tGJ996p8\">pic.twitter.com\/75tGJ996p8<\/a><\/p>\u00e2\u20ac\u201d Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1221456751968620544?ref_src=twsrc%5Etfw\">January 26, 2020<\/a><\/blockquote> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">SPIRIT OF THE BEEHIVE is a beautiful, quiet movie. Guillermo del Toro has called it one of his three favorite movies ever, and it&#39;s not difficult to see why. <a href=\"https:\/\/t.co\/9ZzRZTauTh\">pic.twitter.com\/9ZzRZTauTh<\/a><\/p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223985552036388865?ref_src=twsrc%5Etfw\">February 2, 2020<\/a><\/blockquote> <script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n<blockquote class=\"twitter-tweet\" data-conversation=\"none\"><p lang=\"en\" dir=\"ltr\">TERMINATOR: DARK FATE isn\u00e2\u20ac\u2122t my least favorite Terminator movie, but mostly because #3 is just an Outer Limits episode and Terminator Salvation exists. It\u00e2\u20ac\u2122s probably no worse than the not-very-good Genisys, but it\u00e2\u20ac\u2122s also not better. <a href=\"https:\/\/t.co\/f1vYwOBd7C\">pic.twitter.com\/f1vYwOBd7C<\/a><\/p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/1223985558025838592?ref_src=twsrc%5Etfw\">February 2, 2020<\/a><\/blockquote> <script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p>And finally, here&#8217;s the music that was new to me in January:<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PL62qRURJS1HDtJzLZo4Ffwa0QzEVjLkhJ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s been two years since I posted anything here, and I make my triumphant return to weblogging really only to post about the media I consumed in the last month. This is mostly just going to be a place for me to keep track of this for my own piece of mind. I&#8217;m making a &#8230; <a class=\"read-more\" href=\"https:\/\/www.unreality.net\/weblog\/?p=12245\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12245","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/12245"}],"collection":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12245"}],"version-history":[{"count":13,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/12245\/revisions"}],"predecessor-version":[{"id":12270,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/12245\/revisions\/12270"}],"wp:attachment":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}