{"id":11925,"date":"2016-12-06T18:32:55","date_gmt":"2016-12-06T23:32:55","guid":{"rendered":"http:\/\/www.unreality.net\/weblog\/?p=11925"},"modified":"2016-12-06T19:53:47","modified_gmt":"2016-12-07T00:53:47","slug":"november-2016","status":"publish","type":"post","link":"https:\/\/www.unreality.net\/weblog\/?p=11925","title":{"rendered":"November 2016"},"content":{"rendered":"<p><a href=\"http:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2016\/12\/CyIIvtaWEAEUtQ0-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2016\/12\/CyIIvtaWEAEUtQ0-1.jpg\" alt=\"cyiivtaweaeutq0-1\" width=\"1024\" height=\"768\" class=\"alignnone size-full wp-image-11926\" srcset=\"https:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2016\/12\/CyIIvtaWEAEUtQ0-1.jpg 1024w, https:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2016\/12\/CyIIvtaWEAEUtQ0-1-300x225.jpg 300w, https:\/\/www.unreality.net\/weblog\/wp-content\/uploads\/2016\/12\/CyIIvtaWEAEUtQ0-1-768x576.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>So November. I think it&#8217;s safe to say that the first week of it did <i>not<\/i> play out as expected. The many long weeks since then have pretty felt just like shell-shocked aftermath. It&#8217;s anybody&#8217;s guess how exactly things will play out over the next four years, but it&#8217;s almost guaranteed to be difficult and ugly on a lot of levels.<\/p>\n<p>But Thanksgiving was nice, so there is that.<\/p>\n<p>Anyway, beyond the holidays &#8212; which was just me, my sister, our parents, and my sister&#8217;s cat &#8212; and politics, November was a pretty uneventful month. I read <a href=\"http:\/\/www.unreality.net\/weblog\/?p=11925#books\">one book<\/a> and <a href=\"http:\/\/www.unreality.net\/weblog\/?p=11925#stories\">thirty-two short stories<\/a>, watched <a href=\"http:\/\/www.unreality.net\/weblog\/?p=11925#movies\">sixteen movies<\/a>, and listened to <a href=\"http:\/\/www.unreality.net\/weblog\/?p=11925#music\">a little music<\/a>. It was that kind of month.<\/p>\n<p><a name=\"books\"><strong>The book<\/strong><\/a><\/p>\n<p>I read <i>Company Town<\/i> by Madeline Ashby for my monthly book group. And I didn&#8217;t much like it.<\/p>\n<p>It wasn&#8217;t terrible, but I think the group largely agreed with my own assessment: there&#8217;s way too much going on in the novel, with too few of its threads connecting or being resolved. And the ending&#8230;ooh boy. It&#8217;s rare to find a book where you want many, many longer stretches of exposition just so you can better know what&#8217;s going on and who everybody is. The book&#8217;s pacing is really weird, and it really does feel like working on a mystery without any clues. <\/p>\n<p>It seems to set itself up for a sequel &#8212; despite rumors it&#8217;s a one-and-done &#8212; but I don&#8217;t think I&#8217;d read more. Maybe another book by Ashby, or even a completely rewritten and expanded version of <i>this<\/i> book, but no, not a sequel.<\/p>\n<p><a name=\"stories\"><strong>The stories<\/strong><\/a><\/p>\n<p>I read thirty-two short stories in November, upping my one-a-day habit all the way up to two-a-day on a couple of occasions. (I took all of Thanksgiving week off from work.) These were my favorites:<\/p>\n<ul>\n<li>&#8220;Our Talons Can Crush Galaxies&#8221; by Brooke Bolander (<a href=\"http:\/\/uncannymagazine.com\/article\/talons-can-crush-galaxies\/\">Uncanny<\/a>)<\/li>\n<li>&#8220;Kamanti&#8217;s Child&#8221; by Jennifer Marie Brissett (<a href=\"http:\/\/uncannymagazine.com\/article\/kamantis-child\/\">Uncanny<\/a>)<\/li>\n<li>&#8220;The Place of Bones&#8221; by Gardner Dozois (<a href=\"https:\/\/www.sfsite.com\/fsf\/\">F&#038;SF<\/a>)<\/li>\n<li>&#8220;Where I&#8217;m From, We Eat Our Parents&#8221; by John Wiswell (<a href=\"http:\/\/dailysciencefiction.com\/science-fiction\/aliens\/john-wiswell\/where-im-from-we-eat-our-parents\">Daily Science Fiction<\/a>)<\/li>\n<li>&#8220;Project Earth Is Leaving Beta&#8221; by J.W. Alden (<a href=\"http:\/\/flashfictiononline.com\/main\/article\/project-earth-leaving-beta\/\">Flash Fiction Online<\/a>\/<a href=\"http:\/\/www.nature.com\/nature\/journal\/v533\/n7603\/full\/533432a.html\">Nature<\/a>)<\/li>\n<li>&#8220;Spirit Tasting List for Ridley House, April 2016&#8221; by Rachel Acks (<a href=\"https:\/\/www.shimmerzine.com\/spirit-tasting-list-for-ridley-house-april-2016\/\">Shimmer<\/a>)<\/li>\n<li>&#8220;Seasons of Glass and Iron&#8221; by Amal El-Mohtar (<a href=\"http:\/\/uncannymagazine.com\/article\/seasons-glass-iron\/\">Uncanny<\/a>\/<i>he Starlit Wood<\/i>)<\/li>\n<li>&#8220;Migration&#8221; by Tananarive Due (<a href=\"http:\/\/www.nightmare-magazine.com\/fiction\/migration\/\">Nightmare<\/a>)<\/li>\n<li>&#8220;Natural Skin&#8221; by Alyssa Wong (<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/natural-skin\/\">Lightspeed<\/a>)<\/li>\n<li>&#8220;A Shot of Salt Water&#8221; by Lisa L. Hannett (<a href=\"http:\/\/thedarkmagazine.com\/a-shot-of-salt-water\/\">The Dark<\/a>)<\/li>\n<li>&#8220;Story of Your Life&#8221; by Ted Chiang (<i>Stories of Your Life and Others<\/i>)<\/li>\n<\/ul>\n<p>All but the last two were from 2016. I don&#8217;t set out to read current short fiction and nothing but, but it does often turn out that way. After last month, when I read a whole bunch of much older reprints, I was probably due.<\/p>\n<p><a name=\"movies\"><strong>The movies<\/strong><\/a><\/p>\n<ul>\n<li>All the President&#8217;s Men:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">I&#39;m genuinely enjoying All the President&#39;s Men. It must have seemed odd to see it in &#39;76 when it was all so fresh.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/795081855515160576\">November 6, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>I Am the Pretty Thing That Lives in the House:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">I Am the Pretty Thing That Lives in the House is superb at creating mood, dread. Then deeply disappointing when it delivers nothing else.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/795126426131451904\">November 6, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>The Hitcher:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">The Hitcher is pretty decent, just this side of ridiculous, but hardly a forgotten &#39;80s classic or anything.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/797637909998288904\">November 13, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>13th:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">13th is a powerful, painful, and sadly all too vital indictment of racism and the prison industrial complex. <a href=\"https:\/\/t.co\/z2ct0vQA3N\">https:\/\/t.co\/z2ct0vQA3N<\/a><\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/798013328631197697\">November 14, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Arrival:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Is it okay if I didn&#39;t love Arrival?<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/799090575689609216\">November 17, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>The Neon Demon:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">I admire the craft in The Neon Demon and a few of the performances, but it&#39;s a LOT of style for a tired (if sometimes v. disturbing) story.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/800197853238980612\">November 20, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Sunset Boulevard:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Sunset Boulevard edges right up to self-parody and silliness, maybe even dances over the edge occasionally, but it&#39;s also quite good.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/800546795512299520\">November 21, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Duel:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Duel isn&#39;t perfect, but for a paper-thin plot (that I knew practically all of going in), it&#39;s remarkably tense and effective.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/800895445337866242\">November 22, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Sing Street:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">It&#39;s a little silly, but Sing Street is also pretty delightful.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/800938689044029440\">November 22, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Martin:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">George Romero&#39;s Martin is more than a little rough around the edges, but it&#39;s an interesting idea and has its moments.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/801271294218145793\">November 23, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Seven Men from Now:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Seven Men from Now isn&#39;t a flashy Western, but it&#39;s a really nice movie with some great performances.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/801619013910532096\">November 24, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Hell or High Water:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Hell or High Water is excellent, a movie that feels richly populated, like every character we meet is another story waiting to be told.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/801648054902411264\">November 24, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Chunking Express:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Roger Ebert called Chungking Express &quot;largely a cerebral experience,&quot; and it is, but I think he was also right about that often working.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/802354920334786560\">November 26, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Carnival of Souls:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Carnival of Souls isn&#39;t exactly surprising, but it gets by on atmosphere and location.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/802694182225739780\">November 27, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>My Left Foot:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">My Left Foot is a pretty good movie, elevated by the performance of Daniel Day-Lewis (and of Hugh O&#39;Conor as the young Christy Brown).<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/802724482074943488\">November 27, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<li>Big Fan:<br \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p lang=\"en\" dir=\"ltr\">Big Fan lays it on a little too thick, but it&#39;s an interesting character study, and Patton Oswalt turns in a complex performance.<\/p>\n<p>&mdash; Fred Coppersmith (@unrealfred) <a href=\"https:\/\/twitter.com\/unrealfred\/status\/803053151377092609\">November 28, 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/li>\n<\/ul>\n<p><a name=\"music\"><strong>The music<\/strong><\/a><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PL62qRURJS1HDMsX90OKMDf6_QNniili8A\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>So November. I think it&#8217;s safe to say that the first week of it did not play out as expected. The many long weeks since then have pretty felt just like shell-shocked aftermath. It&#8217;s anybody&#8217;s guess how exactly things will play out over the next four years, but it&#8217;s almost guaranteed to be difficult and &#8230; <a class=\"read-more\" href=\"https:\/\/www.unreality.net\/weblog\/?p=11925\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[16,8,14,15,28,6,222],"class_list":["post-11925","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-books","tag-monthly-mix","tag-movies","tag-music","tag-personal","tag-politics","tag-stories"],"_links":{"self":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/11925"}],"collection":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11925"}],"version-history":[{"count":10,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/11925\/revisions"}],"predecessor-version":[{"id":11936,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/11925\/revisions\/11936"}],"wp:attachment":[{"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unreality.net\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}